Traditional Astrology of Death | Elizabeth Taylor

Posted on June 6, 2014 by Anthony

Introduction

Death is one of the most significant events of any life. Like many people, I was initially skeptical that astrological indications are provided at the time of death. When I started intensively studying astrology, but before studying traditional astrology, I would carefully examine the timing of celebrity deaths. I pored over the transits for some cogent sign of the end. I was surprised to find that exact symbolic transits were rather rare. Occasionally, there would be a particularly telling transit, but it would often involve the Moon, which would make the same transit each month.

Of course in those days, I was fixated on transits and progressions. I did not understand planetary periods and time lords. At that time, I didn’t understand the natal chart much beyond “personality”. Now I understand that predictive indications must reflect natal indications of death. Everyone has various indications of death in their own charts, and everyone dies eventually.

For transits and other predictive techniques to make sense they must reflect natal indications of death. Those natal indications must also be reinforced through numerous layers of similar symbolic activation. Activation gives transits “meaning”.

Traditional Astrology and Death

Getting into traditional astrology, I deeply researched the techniques given by Robert Zoller in his DMA course. Zoller’s approach to the astrology of death largely revolved around the techniques of Bonatti (13th century CE). It also included elaborations of a technique involving primary directions made popular by Ptolemy (2nd century CE). In my own research, I went from doubt, to enthusiasm, to renewed doubt, about such techniques.

From there I researched Bonatti’s sources. His sources were primarily Perso-Arabic astrologers of the last few centuries of the first millennium of the common era. I started to get a sense of a greater diversity of opinion existing in the older texts as compared with the late Middle Ages where things became more homogenized. Finally, reaching back into the earliest surviving strata of horoscopic astrology, Hellenistic astrology, my suspicions were confirmed. It became clear that there was a diverse wealth of material on death in Hellenistic astrology. This material still needs exploration, testing, refinement, and synthesis.

Prior Analyses

In this series, I have, so far, worked in broad and general strokes, looking at fundamental symbols of death in the chart. You will notice that I’ve ignored some of the more particular special techniques for longevity. I will continue such a trend with this article on Elizabeth Taylor (analyzed by request of a reader). The approach follows along similar lines of analysis as my prior articles on the subject.

Initially, I looked at the death of Whitney Houston, with an additional focal analysis of primary directions. I also looked at the shocking death of Marvin Gaye at the hands of his own father on the day of his solar return. Additionally, I examined the death of Donna Summer, a death by cancer at age 63, which included a look at zodiacal releasing. Now we turn to Elizabeth Taylor who lived to 79 years of age, dying of congestive heart failure.

Elizabeth Taylor

Elizabeth Taylor was born on February 27th, 1932 at 2:30 am in London, England (birth data rated AA for accuracy). Her chart is pictured below with twelfth-part positions and then again with a few choice lots.

Liz Taylor’s Natal Chart with Twelfth-Parts

Elizabeth Taylor’s Natal Chart with Choice Lots

Profession

For those who have followed my series on the professional significator, you will notice that Venus is the clear choice.

She is is strongly advancing conjunct an angle (adhering to the IC), in a succedent house, rules the bound of the Ascendant, and closely aspects the Ascendant. Venus also rules the sign of the MC, and has triplicity in the 10th. Additionally, she is the ruler of the twelfth-parts of the Ascendant, Sun, Moon, Fortune, Mercury, and Venus.

That Venus is scrutinized by Jupiter adds an additional sense of opportunity, elevation, and fortune to her significations. Venus, goddess of love and beauty, pertains to a profession relating to aesthetics, the arts, and/or entertainment.

Death

As with the death of Donna Summer, Taylor’s death was not a sudden dramatic affair. It was a relatively peaceful death by congestive heart failure at the advanced age of 79.

Significators

As we look at her death, it will be important to first identify some of the more difficult areas of the chart, particularly as they relate to health and the body. The Ascendant and the Lights, particularly the sect light, are important in terms of health. Also, Valens noted some important points in Book II, Ch. 41 of his anthology that become relevant for the matter of the type of death. These include the prenatal syzygy (i.e. the position of the new or full moon preceding the birth), the 7th place, the 8th place, the 8th place from Fortune, and Fortune itself.

The 4th place is also noted as significant with regards to death by Valens and many other authors. Additionally, there is the Hellenistic Lot of Death, which is taken by day or night, as the distance from the Moon to the start of the 8th sign, projected from Saturn. In terms of the planets, Saturn is the one that naturally signifies death. Let’s look at these factors in Taylor’s chart.

The Moon in Scorpio XII

The sect light, the Moon, is in the 12th place, Scorpio, in her fall, squared by Saturn in Aquarius, and ruled by Mars. This is among the more difficult configurations in the chart as the 12th place is also the Place of Affliction (Injury) and the 8th from Fortune. Additionally, the Moon rules the 8th house, Cancer, and the Moon’s twelfth-part is in the 6th house of illness.

Mars

The Sun, symbolic of vitality, is with Mars, in Pisces, the 4th house. Mars is also with Mercury, the ruler of the prenatal syzygy and Lot of Death. The prenatal syzygy of the chart is at 2 Virgo, opposed by Mars within a degree. Therefore, while Mars is in sect, it is still an important planet to watch in terms of death and threats to the health.

Liz Taylor’s Natal Chart with Twelfth-Parts

Jupiter-Saturn

Jupiter rules the Ascendant and in Leo is in opposition to Saturn in Aquarius in the chart. Jupiter is the lord of the Ascendant (self/body) and Saturn is the out of sect malefic (malefic with least regard for the self). Their relationship is reinforced by the conjunction of the twelfth-parts of both planets in Aquarius.

Virgo-Mercury

Virgo is of interest because it is the place of death by lot (14 Virgo). It is also the sign of the prenatal syzygy (the Full Moon at 2 Virgo that preceded Taylor’s birth). Mercury rules the sign but opposes it, and is cazimi the Sun.

Planetary Years

Liz Taylor died at age 79, in her 80th year, so we are particularly interested in the activation of planets by planetary years which pertain to 79 or 80.

Summing to 79

Looking at 79, some activated planetary combinations include Saturn-Sun (30+30+19), Mars-Sun (15+15+15+15+19), Saturn-Mars-Sun (30+15+15+19), Mercury-Sun (20+20+20+19), and Jupiter-Sun (12+12+12+12+12+19). The Sun and Saturn don’t aspect each other, nor rule each other, so that activation is less signification. It is similar with Saturn and Mars. Therefore, the Mars-Sun activation is particularly significant for our purposes. Mars and the Sun are together in the chart and relevant for health and death.

Summing to 80

Looking at 80, some activated planetary combinations include Mercury (20+20+20+20), Mars-Moon (15+15+25+25), Saturn-Moon (30+25+25), Saturn-Mercury (30+30+20), Mars-Mercury (15+15+15+15+20), Venus (8*10), and so forth. There are a lot of ways that combinations of planetary years fit into 80. However, for our purposes we are most concerned about combinations that involve natal configurations (rulership or aspect). The Mars-Moon activation is significant of the Moon in the 12th in Scorpio. The Mars-Mercury one is significant due to the conjunction of Mars and Mercury in the 4th house. The Moon doesn’t have a strong relationship with Saturn. Neither does Mercury.

Mars-Sun; Mars-Moon; Mars-Mercury

In conclusion, for the year of death we are interested in the activation of Mars as it relates to the Sun, Moon, and Mercury.

Liz Taylor’s Natal Chart with Twelfth-Parts

Zodiacal Releasing

Releasing from Fortune was noted by Valens as significant for matters of health.

The four levels of zodiacal releasing from Fortune at the time of death (1:30 am on March 23, 2011 in Los Angeles, CA) are:

1. Leo

2. Aries

3. Cancer

4. Cancer

Elizabeth Taylor’s Zodiacal Releasing Periods

Levels I and I: The Sun transmits to Mars

As mentioned near the end of last article, the emphasis is on the first two levels. The lord of the sign of level 1 transmits to the lord of the sign of level 2. In this case, what we have is the Sun transmitting to Mars. This is interesting from the standpoint of a luminary, showing power and vitality, passing off to a malefic, showing harm. It is also interesting from the standpoint of activating the Sun-Mars conjunction in the chart. You’ll recall that the Sun-Mars configuration is one of the configurations of harm in the natal chart that was highlighted by planetary years.

Liz Taylor’s Natal Chart with Twelfth-Parts

Mars transmits to the Moon

We then see Mars transmit to the Moon (Aries to Cancer). You’ll recall that the Mars-ruled Moon is a key factor pertaining to death in the chart and was highlighted by the planetary years. Zeroing in on the day of death we find that occurred just a couple days after the switch to L3 Cancer, so L4 was still in Cancer as well. The Moon transmits to itself (Cancer to Cancer). That Cancer is highlighted in the shorter periods around the death is very significant. Cancer is the place of death (8th house) in the chart, and Cancer’s ruler, the Moon, is in the 8th place from Fortune.

As we’ll see when we get to transits, the Moon-Mars relationship also shows up strongly at the time of death. The death occurred on a lunar return in Scorpio with the Moon in partile aspect to transiting Mars.

Notes on Zodiacal Releasing

In conclusion, the zodiacal releasing of the second level (December 2010 to February 2012) highlighted a sense of vitality and heart (the Sun rules the heart) undergoing turmoil or violence (Mars). It was an activation of the natal Sun-Mars conjunction, also highlighted by planetary years. The third level, Cancer, started on March 21st, 2011, and activated the natal Moon-Mars relationship. Mars transmits to the Moon and activates two houses with particular relevance for death (the 8th, Cancer, and the 8th from Fortune, Scorpio). The fourth level (March 21-25) again put the emphasis squarely on the Moon, with the death occurring on a lunar return.

Distributors

Distributors are important time lords that one finds by directing certain important points through the bounds. The distributor is typically the bound lord of the directed Ascendant (using zodiacal semi-arc non-latitudinal ptolemaic-key primary directions). However, some Persian astrologers used the sect light rather than the Ascendant. This parallels the use of the sect light as an alternative to the Ascendant in many Hellenistic techniques, such as for profectional lord of the year.

Planets applying an aspect to the directed point (Ascendant or sect light) can share in the distribution as co-distributors. Presumably this aspect would have to be within 3 degrees, as that was the definitive range for applications in Hellenistic astrology.

Primary Directions Then and Now

In later traditional astrology, there was something of an obsession with direct hits by primary direction. This contrasts with the traditional emphasis on the distributor as time lord. After about the 15th century CE there also was an outgrowth of different ways of calculating primary directions. However, the traditional manner of calculating them, in the zodiac using semi-arcs without latitude and by the rate of the Ptolemaic key, was the standard before then. I touch on some of these issues in my introductory post on primary directions (and there’s a post on software calculation).

Elizabeth Taylor’s Distributors

Taylor died on March 23, 2011. The table of distributors are below. The distributor of the Ascendant was Jupiter, while that of the sect light (the Moon) was Mars. You may recall that for Donna Summer also, at the time of death the distributor of the sect light, the Moon, was Mars.

Distributors of the Ascendant and Sect Light

Now let’s look to see if there are any aspectual co-rulers of the distribution. At the time of death 5° Aries directed over the Ascendant. There was not an aspectual co-distributor for the directed Ascendant. However, 28° Capricorn passed over the Moon. Saturn at 1 Aquarius, was applying within 3 degrees. Saturn may be thought of as a co-distributor of the Moon but the aspect is out of sign, so I don’t strongly consider it.

Liz Taylor’s Natal Chart with Twelfth-Parts

Notes on Distributors

In conclusion, the sect light had Mars as distributor. In this we see the important activation of the Moon-Mars relationship.

The Ascendant had directed into a new sign (Aries), one ruled by Mars, but it had Jupiter as the distributor. It was noted that there is a Jupiter-Saturn relationship of interest in the natal chart. Jupiter, lord of the Ascendant, figures prominently in some significations at the time of death also, as we’ll see.

Profection of the Ascendant

The final annual profection is very interesting. She turned 79 less than a month prior to her death. At age 79, the profection is to the 8th house (72=1st, 73=2nd, 74=3rd, 75=4th, 76=5th, 77=6th, 78=7th, 79=8th). The 8th house, which is also known as the Place of Death, is the sign Cancer in her chart, ruled by the Moon. Therefore, the Moon is the lord of the year. This is a particularly important planet to look at in regards to the most significant events of the year.

Liz Taylor’s Natal Chart with Twelfth-Parts

Moon as Lord of the Year and Month

You’ll recall that the Moon, herself, is located in Scorpio, the 12th house, one of the most difficult houses of the chart. Additionally, in her chart Scorpio is the Place of Affliction and Injury (by lot) and the 8th Place from Fortune (another place of death). We had established that she is one of the key significators of death in the natal chart.

In monthly profections, the first month after the solar return (i.e. “birthday”) goes to the sign of the annual profection. As the death occurred less than a month after the solar return, the monthly profection matches the annual profection. Again, it is Cancer. Therefore, the Moon was lord of the year and the month. This is strong reinforcement of the highlighting of the 8th house (Cancer) and the Moon in Scorpio by planetary years, zodiacal releasing, and the primary direction of the Moon.

Planetary Days

For planetary days, one starts with the lord of the year and proceeds through the planets in the order in which they appear in the chart (via zodiacal order). The Moon gets 70 5/6 planetary days. As the death occurred less than a month after the solar return, the Moon was the ruler of days at the time of Taylor’s death.

You will also recall above from the discussion of zodiacal releasing that highlighted Cancer for L3 and L4. The Moon became the most important time lord pertaining to physical health matters (by L3 and L4) just a couple days before Taylor died. Clearly, in terms of profections, day lords, and releasing for health, the spotlight is on the Moon at the time of Taylor’s death.

Valens-Style Profections

I discussed Valens-Style profections in a past article. As noted, one can profect any point in the chart, but the profection of the sect light was particularly common, while the Moon was significant for matters of the body. In Elizabeth Taylor’s chart the Moon is the sect light.

Moon Transmits to Mercury

In Taylor’s case, the Moon profects to Gemini, the 7th House, which is empty, so it is a case of the Moon transmitting to Mercury. The 7th itself carries some significance for matters of death (place of setting). Mercury is in the 4th, which also carries such significations (place of anti-culmination, endings, and the earth). Mercury is cazimi the Sun and is with Mars. While overall, the emphasis has been on the Moon, we see that Mercury may also have some special significance in terms of matters of the body. Mercury rules the Lot of Death and the prenatal syzygy, both of which are in Virgo.

Fortune Transmits to the Moon

It should be noted that all the profections are to the 8th place from their position. As the Moon is in the 8th from Fortune, Fortune itself transmits to the Moon. This additional emphasis on the Moon is significant as Fortune’s profections were used to judge overall material circumstance.

Solar Return

Liz Taylor’s final solar return is shown below.

Liz Taylor’s 2011 Solar Return (tropical)

We had determined that the main planet to watch is the Moon and that Mercury may be of some lesser importance. Also, because of the distribution, we may want to take a look at the malefics and Jupiter.

Liz Taylor’s 2011 Solar Return as transits along outer wheel of natal chart

The 1st House Moon Between Malefics

The Moon in the return is in Sagittarius, which is the 1st house of the natal chart, pertaining to the body and self. Its position in the 1st is particularly significant for the body, as the Moon herself naturally signifies the body (repeat signification). The Moon is in the house of Jupiter, bound of Saturn. She is separating from Saturn and applying to Mars. Therefore, the Moon moves from malefic to malefic.

Return of Mercury and Mars

At the time of the 2011 solar return, Mercury and Mars are strongly in their planetary returns. Each one is only about a degree from its natal position. We see the

Liz Taylor’s 2011 Solar Return as transits along outer wheel of natal chart

Other Factors

Jupiter is the lord of the natal Ascendant, bound lord of the directed Ascendant, and ruler of the solar return Moon. Therefore, it’s a planet to watch. Return Jupiter is opposing return Saturn, echoing the natal Jupiter-Saturn opposition. This was one of the natal factors noted as particularly significant for death. Solar return Saturn is on the natal Midheaven and strongly opposes natal Venus (sect benefic).

We’ll see that all of these factors are important at the time of death.

Transits at Time of Death

The time of death was given in a news report as 1:28 am on March 23, 2011, in Los Angeles, California. The chart of the time of death is below. Rarely are the daily transits of lots examined. However, with the exact time of death, we can actually examine the exact timing of transiting lots, confirming their importance. Therefore, there are some choice lots included on the chart of the transits at time of death.

Elizabeth Taylor Death Transits

Solar Return Moon Rises

We are fortunate to have the exact time of death, as there are many striking features about this specific time. For one, it is 22° Sagittarius rising. Sagittarius is Taylor’s rising sign. More significantly, 22° Sagittarius is also the very degree held by the Moon at the solar return. Therefore, at the moment of death, the degree held by the solar return Moon was rising. Recall the natal and predictive emphasis on the Moon for matters of death. The solar return chart is shown again below.

Liz Taylor’s 2011 Solar Return

Death on a Lunar Return

Liz Taylor’s Natal Chart with Twelfth-Parts

Recall that the natal Moon is at 15° Scorpio. At the time of death, the transiting Moon was at 22° Scorpio. In other words, Taylor died on her lunar return. Actually, her death was on the very day of her lunar return as astrological days are sunrise to sunrise. Additionally, the transiting Moon at 22° Scorpio was in partile aspect to its transiting ruler Mars at 22° Pisces.

Elizabeth Taylor Death Transits

Therefore, the natal Moon-Mars relationship is popping at the time of death also. In fact, the death even occurs on a Mars day and at a Moon hour (see article on planetary days and hours). As noted, an astrological day starts at sunrise, which is why it’s still a Mars day (Tuesday). Transiting Mars is at 22° Pisces, square to the solar return Moon and the transiting Ascendant to the degree (both were at 22° Sagittarius).

Transiting Lots

Lots, like the Ascendant, make a complete revolution around the zodiac each day, so their locations in transit are rather ephemeral. However, like the Ascendant their transits can pertain to timing very specific moments.

The Lot of Boldness (noted as “COLD” on the chart) pertains to actions without feeling. At the moment of death it transited right at the degree of Taylor’s natal Moon (15° Scorpio).

The Lot of Death was transiting at 22 Taurus, exactly opposite the transiting Moon!

Therefore, even when it comes to the transiting Lot of Death we see a spotlight on the Moon and its importance for signifying death.

Elizabeth Taylor Death Transits

Transiting Jupiter-Saturn Opposition

There was a strongly applying Jupiter-Saturn opposition by transit (within 2 degrees) at the time of death. Saturn is culminating at 14° Libra (the natal MC degree) opposed to Jupiter anti-culminating at 13° Aries. In addition to transiting Jupiter, the transiting Sun and Mercury are also in Aries, in opposition to transiting Saturn. Saturn, the natural significator of death, is the most strongly advancing planet at the time of death.

Elizabeth Taylor Death Transits (outer) to Natal (inner)

Conclusion

While sudden deaths are often more dramatic in their symbolism, we can learn a lot about astrology from examining the time of any death. As in all types of natal timing, the work starts with a thorough understanding of the relevant symbolism in the natal chart. We then proceed to look at the big period activation patterns. From there we can employ annual techniques to assess the most important themes. Finally, we can examine smaller time period lords and transits to examine timing.

Recap

The timing of Taylor’s death is fascinating particularly for its emphasis on the Moon in Scorpio, given the Moon’s symbolism for death and illness. The Moon is the ruler of the 8th, the ruler of the Lot of Affliction, and the occupant of the 8th from Fortune (Scorpio). The Moon-Mars relationship was highlighted for the period by planetary years, the transmission of Mars to the Moon by zodiacal releasing (Aries L2 to Cancer L3), and Mars as distributor of the Moon by primary directions.

Turning to annual methods we found the annual profection and monthly profection to Cancer (8th house) with the Moon as lord of the year and month. The solar return saw the Moon transiting in the natal 1st house and applying to Mars which had returned to its own natal position. Elizabeth Taylor died on her lunar return in Scorpio, with the Moon as the lord of the year and month by annual profections, ruler of days, and ruler of the L3 and L4 of zodiacal releasing. She died during the lunar hour of a Mars day with the exact degree of her prior solar return Moon rising and when the transiting Lot of Death opposed the transiting Moon.

There were some other factors that were relevant as well but these themes surrounding the 12th house Moon in Scorpio are by far the most mind-blowing.

Featured image is in the public domain.

Update 2/26/2019:

The article was significantly edited for clarity. Passages pertaining to the Lot of Death and an overall conclusion were added.

Traditional Astrology of Death | Donna Summer

Posted on May 24, 2012 by Anthony

Introduction

Like so many people around the world, I was saddened to hear of Donna Summer’s recent passing. Summer died on Thursday, May 17th after a battle with lung cancer. Donna Summer is a dearly missed musical icon.

I missed out on the heyday of disco in the mid-’70’s. However, I fondly remember as a child in the early ’80’s dancing to songs by Donna Summer, Michael Jackson, and similar artists of the era.

Longevity in Traditional Astrology

I don’t believe there is a single method out there, such as a hyleg/alcochoden technique, that on its own allows one to make accurate predictions about the length of someone’s life. In this regard I may be in the minority of traditional astrologers. Rather, I thank that if you throw a lot of techniques together, then there should be clear repeat indications of death. Predicting death in advance, particularly one’s own, is another matter. Looking at it in hindsight is always easier, and that’s largely what this series is about.

I’d like to look at some of the “signs” around the time of Donna Summers death and how they relate to death. Death is one of the key events in every life. By exploring the connection between death and natal predictive techniques, we sharpen our ability to recognize the astrological language of death.

Donna Summer

Donna Summer was born on New Year’s Eve, 1948 (12/31/48) at 9 pm in Boston, MA (source: AstroDatabank). For the reader unfamiliar with her life and work, a good source for a quick brief is the Wikipedia article on her. Her chart with twelfth-parts is shown below.

Donna Summer’s Natal Chart with Twelfth-Parts (outside wheel)

Profession

It is hard to imagine a chart more oriented toward artistic performance. First, Venus is the significator of profession. This is so as Venus is in a stake of the chart (the 4th) and strongly advancing, while having triplicity at the Ascendant and possibly bound. She also receives the next application of the Moon and is with the twelfth-part of the sect light (the Moon is the sect light as she was born at night). Secondly, there is a whopping 5 planets, including the Sun and Moon, as well as the ruler of the 1st (in the bound of Venus), in Capricorn, the 5th House, which is the Joy of Venus and is oriented toward the fruits of creation and to representation. Finally, the ruler of the 5th is on the Ascendant and thus is extremely prominent.

Mercury also crops up as important for the profession as Mercury rules the 1st and 10th signs and the bounds of the Asc and MC. It also has its twelfth-part in the Ascendant. Therefore, Venus and Mercury as co-significators of the profession. Venus is the more dominant of the two. Together they combine artistry and beauty (Venus) with vocalization (Mercury). A fairly common combination for singers.

Death

Donna Summers died of lung cancer at age 63. She was not a smoker. Donna believed that her lung cancer may have been caused from inhaling dust and smoke from the Sept. 11 attacks, possibly containing asbestos. However, she also had a family history of cancer and played hundreds of shows over the years in smoke-filled clubs.

Unlike the other deaths we’ve examined so far (Whitney Houston and Marvin Gaye), Summer’s death was not sudden. She was diagnosed with cancer the year prior to her death. Therefore, the exact timing of death might be thought of as less important than the overall characterization of that period of her life.

Key Factors

In analyzing the timing of death, we are most interested in the more potentially difficult elements of the chart. In my opinion, one of such difficult configurations is the conjunction of the Ascendant (significant for the body and self) with the out of sect malefic, Saturn (significant for death, loss, struggle, isolation). Another is the close (but separating) conjunction of the Moon and Mars (lord of the 8th of death, Aries) in the bound of Mars within 3 degrees of each other, with both ruled by Saturn.

Donna Summer’s Natal Chart with Twelfth-Parts (outside wheel)

Mars is particularly important. Mars not only rules the 8th house (Aries) but also rules the Lot of Affliction or Chronic Illness (also in Aries) and the Lot of Death (Moon to 8th sign, proj. from Saturn, day or night; in Scorpio). It also has its twelfth-part with those of Saturn and the Ascendant in Scorpio (Lot of Death). Additionally, Mercury, which can signify the lungs (as well as the self and body here as Lord of the 1st), is applying to Mars (conjunction).

Summer’s Natal Chart with Select Lots

Planetary Years

For an introduction to planetary years, please see the introductory post on them. Donna Summer was in her 64th year, and 63 years old, at the time of death. Therefore we are particularly interested in combinations of planetary years that add to 63 or 64. This may involve multiples, as there are not two distinct planetary minor years that sum to more than 55.

Possibilities

There are only two combinations of three planets’ minor years that work without any multiples. They are Saturn-Mars-Sun (30+15+19=64) and Saturn-Venus-Moon (30+8+25=63).

Possibilities involving multiples with one and two planets are below:

One Planet: Venus (64)

Two Planets: Venus-Mercury (24+40=64), Mars-Sun (45+19=64), Jupiter-Mercury (24+40=64), Sun-Moon (38+25=63).

Of these, I regard some as less important because the planets in the relationship are not all configured together with each other by either rulership or aspects. For instance, Saturn-Venus-Moon is less significant to me. This is because Venus and the Moon are in aversion, and Venus is not ruled by Saturn. Similarly, Venus and Mercury are in aversion, so that two planet combination is not as important.

The Most Important Activation: Saturn-Mars-Sun

There are four possibly significant activations by planetary years. They are Saturn-Mars-Sun (Mars and the Sun are together and ruled by Saturn), as well as Mars-Sun (they are together), Sun-Moon (the Sun and Moon are also together), and Venus. The most significant is Saturn-Mars-Sun. Not only is this an activation of 3 planets without multiples, but Mars and the Sun are together in Capricorn, ruled by Saturn. Additionally, the activation of Mars-Sun reinforces this activation. The activation of Sun-Moon also somewhat reinforces it, again stressing the stellium in Capricorn.

This Saturn-Mars-Sun activation is also the most significant activation for the matter of death. The activation includes both malefics. Each of the malefics directly afflict significators of the body in the chart (Mars with Sun and Moon; Saturn on Ascendant). The Sun is symbolic of vital power.

Donna Summer’s Natal Chart with Twelfth-Parts

A Peak at Transits: Saturn-Mars-Sun

The importance of the Saturn-Mars-Sun activation is confirmed by transits on the morning of the death. Mars transited with natal Saturn in the 1st house and applied to the natal Sun within a degree (superior trine). The transiting Sun also applied to natal Mars within a degree (trine) while closely opposed to the natal twelfth-part Mars (25 Scorpio). We will return to these transits after looking at some of the big-picture indications.

Transits to Natal – Morning of 5/17/12 in Naples, FL

Primary Directions – Distributors

Distributors are time lords which tend to rule over more than a one year period and can be very significant for health matters. The distributor is typically the bound lord of the directed Ascendant. Traditionally, for about the first 1,500 years, primary directions were done by zodiacal semi-arc without latitude, using the Ptolemaic-key (see my article on primary directions). While the Ascendant was typically preferred, some later Persian astrologers used the sect light as well as, or instead of, the Ascendant. The sect light was seen as an alternative to the Ascendant in some Hellenistic techniques as well.

The distributor is a time lord, but a planet actually applying an aspect to the directed angle or sect light (presumably either within 3 degrees or within the same bound) could take over or share the rulership of the distribution. The obsession with direct hits by primary direction, rather than the use of it for time lords, was a later post-Hellenistic development. I touch on some of these issues in my introductory article on primary directions. There’s also an article on the software calculation of primary directions.

Ascendant->Venus and Mars; Sect Light->Mars

Distributors of Ascendant and Sect Light for Donna Summer

Donna Summer died on 05/17/2012, so we are interested in the periods containing that date. From the table of distributors we can see that the distributor of the Ascendant was Venus. The distributor of the sect light (the Moon) was Mars. What about any aspectual co-rulers of the distributions?

One of the very useful features of the primary directions module in Morinus is that one can pull up the actual primary directed chart for a given day. For the day of Summer’s death that chart is below.

Chart of Summer’s PD Positions on 5/17/12

What the chart tells us is that 25 Libra was passing over the Ascendant at the time of death. Similarly, we see 23 Pisces passing over the natal Moon’s position (relative to birth location) at birth. Let’s return to the natal chart to see if these represent applying aspects.

Donna Summer’s Natal Chart with Twelfth-Parts

The zodiacal position of Mars was 27 Capricorn, so the Ascendant (significator) at 25 Libra has the square of Mars (promissor) directed at it within 2 degrees. The 23 Pisces position directing over the natal Moon does not involve any applying aspects within 3 degrees, so there is no co-ruler in that case.

A Focus on Mars

In conclusion, Mars is the distributor of the sect light. Mars also became the co-distributor of the Ascendant, starting about a year prior to death, due to applying aspect.

These time lords by primary direction are extremely important for matters of health and general circumstance. Here we see an emphasis placed upon Mars in the natal chart. As noted, Mars is the ruler of the 8th house of death (and illness/affliction by lot) and the Lot of Death (Scorpio). Mars is in the 5th afflicting the Moon, Sun, and Ascendant lord (Mercury).

Primary Directions – Aspects

There is also one very close aspectual primary direction within about a month of the death that is very symbolic of death. It is the direction of Saturn (promissor) to oppose the prenatal syzygy (significator). The prenatal syzygy is the New Moon or Full Moon directly preceding the birth. It is one of five points that are particularly important for symbolizing the health in the chart, the five hylegical points. These include the Sun, Moon, Ascendant, Fortune, and the prenatal syzygy.

The syzygy is particularly important for Donna Summer as she was born just the day after the New Moon (syzygy) in early Capricorn. In fact, the Moon was still in the same house as the Sun at the time of her birth (Capricorn). This opposition is from the prenatal syzygy’s ruler, Saturn, so it appears to be an important direction in symbolizing the death.

Profections and Solar Return

If unfamiliar with profections, please see the introductory post on profections.

The time of diagnosis at age 62 corresponded to a profection to Summer’s 3rd house, Scorpio. Scorpio is the place of death by lot (Lot of Death). It is ruled by Mars and is occupied by the twelfth-parts of Mars, Saturn, and the Ascendant.

At age 63 the Ascendant profects to the 4th house, which in Summer’s case is Sagittarius, ruled by Jupiter, which is cazimi the Sun, in the 5th with Mars, and ruled by Saturn. Being the lord of the year, Jupiter is a particularly important planet to examine in the solar return.

Valens Profections: Mars and the 8th

It is also worth noting that by Valens-style profections, both lights (Moon and Sun), the Ascendant lord (Mercury), Mars, and Jupiter (lord of the year), all profect to Aries. Aries, the 8th house of death, is also the place of illness/afflication (by lot), and is ruled by Mars. The profection of the sect light (and the Moon generally) was particularly important to Valens for health and overall circumstance. As Aries is empty, it is the case that the sect light (and all the planets in the 5th) transmit to Mars, the ruler of Aries.

Donna Summer’s Natal Chart with Twelfth-Parts

Again, this places emphasis on themes of death (the 8th, malefic ruler) and affliction of the body (Mars-Moon conjunction, Moon ruled by Mars, Aries as Lot of Affliction). The solar return transit of the Moon through Aries (the 8th) is also a repetition of this theme (see return chart). Additionally, the profection of the Lot of Fortune was used for health by Valens and it profects to Scorpio, the other house of Mars and the other place of death (by lot).

Donna Summer’s Last Solar Return as Transit (outer) to Natal (inner)

Profections repeat every 12 years, so the real value here is in seeing which themes and planets we should watch. We again find Mars to be a particularly important planet to watch in the solar return and by transit.

Jupiter in the Return

Jupiter is in separating opposition to Saturn in the return (within 3°). Saturn is the out of sect malefic, and Jupiter relates to the vitality through the Sun (cazimi the Sun). This is a suggestive configuration. However, as an out of sign aspect and pertaining chiefly to the return itself, it is not particularly compelling. However, there is much more to this return than just the position of Jupiter.

Donna Summer’s Last Solar Return

Analyzing the Final Solar Return

As I explained in my article on analyzing solar returns, there were some particular red flags identified by Dorotheus. The 3rd, 4th, and 5th rules mentioned in that article are particularly important. The third rule is to watch squares and opposition from malefics, especially superior squares (domination). The fourth rule is that planets transiting in dark places of the natal chart can be more malefic. The fifth rule is that there will be a focus on the solar return Moon and its house, especially for health. The sixth rule is that there is a focus on the place highlighted by the annual profection and its ruler.

Donna Summer’s Last Solar Return

Mars in the Return

At the return, Mars was transiting in the 1st house, that of the body and self. We’ve seen how Mars is the primary significator of death in the chart. It rules the places of death by house and lot, and the Lot of Affliction. It is also activated by planetary years, distributions, profections of the sect light and Fortune, and the profection of the entire Capricorn stellium to the 8th house. Now we see Mars as chiefly pertaining to the self and body for the year.

Mars dominates the place of the annual profection of the Ascendnat. It is even in a partile superior square to the Ascendant lord Mercury, transiting in that place. Mars is also in a close aspect to natal Mercury by superior trine. Therefore, not only is Mars oriented to the body by being in the 1st, but it connects directly with the lord of the 1st (Mercury) by aspect in the return and natal. This echoes the bodily application of Mercury to Mars in the natal chart.

Twelfth-Parts and Mars

There are many things of interest when it comes to the solar return Mars and the twelfth-parts. First, the natal twelfth-part of Mercury is at the end of 17° Virgo in the 1st house. Mars was conjunct this within 3 degrees in the solar return. Yet an additional connection between Mars and the 1st house and its lord.

Donna Summer’s Natal Chart with Twelfth-Parts

Donna Summer’s Last Solar Return

In the return, Mars was at 20°12′ Virgo and Jupiter (lord of the year) was at 0°26′ Taurus. This puts the twelfth-part of Mars at 2° Taurus and that of Jupiter at 5° Taurus. Therefore, the twelfth-part of return Mars was conjunct return Jupiter (lord of the year) and its twelfth-part, both within 3 degrees. The solar return Ascendant is also interesting as it was at 27° Scorpio. It is not only ruled by Mars and the place of death by lot (Lot of Death) but it is also conjunct the twelfth-part of Mars (25° Scorpio) within 3 degrees.

Donna Summer’s Last Solar Return

Saturn and the Return Moon

Return Saturn is at 28 Libra, in dominating close square to the natal Mars-Moon conjunction at 27 and 29 Capricorn. Echoing the domination of the Moon by return Saturn is the opposition between the return Moon and return Saturn. The return Moon is the natal sect light and is in the 8th house, a dark house, putting a focus on its themes of death for the year, particularly in relation to health. Saturn is the out of sect malefic and in the return is also in a dark place. The opposition of the Moon to Saturn echoes the theme of loss.

Donna Summer’s Last Solar Return on Outside of Natal Chart

Return Venus

Natal Venus is in the sign of the profection so should also be looked at. In the natal chart, Venus is dominated by Saturn. Return Mars also dominates natal Venus. Return Venus is placed in Aquarius, the 6th house, which is a weak house pertaining to illness and ruled by Saturn.

Monthly Profection to the 8th House-Aries-Mars

As noted, the return Moon transits through the 8th of death (Aries), under rulership of Mars. This echoes the natal Mars-Moon conjunction and the profection of the Moon to Aries. The monthly profection of the Ascendant at the time of death was also to Aries, the 8th house, ruled by Mars. The monthly profection is indicating the month when the themes marked out by the 8th house and Mars by the time lords and annual methods will come into focus.

Ruler of Days

Some Hellenistic astrologers used daily profections, but it is not my preferred technique for daily time lords. I discuss an additional technique for small period time lords at the end of this article (levels 3 and 4 of zodiacal releasing). Personally, I also like another time lord technique for periods of days. This ruler of days technique was discussed by Julius Firmicus Maternus. In this technique we start with the lord of the year, and assign days to the planets according to their planetary days according to their zodiacal order in the natal chart. This divides up rulership of the year to each of the 7 planets. The lord of the year is Jupiter for Donna Summer.

Planetary days and their natal order:

Jupiter – 34
Mercury – 56 2/3
Mars – 42 1/2
Moon – 70 5/6
Saturn – 85
Venus – 22 2/3
Sun – 53 5/6

Moon as Ruler of Days

Using a date calculator, we find that Donna Summer died in about the 138th day following her solar return. The Moon took over days about 133 days after the return. Therefore, the Moon was ruler of days at the time of death. I find the ruler of days to be particularly important in timing events by transit. Also, note that the Moon was transiting in the 8th house opposite return Saturn in the solar return.

Day of Death

Recap

Finally, let’s return to the transits at the day of death. To recap, we’ve established that there is substantial importance placed on the malefics and the lights in the time lord techniques. Recall that Saturn-Mars-Sun and Mars-Sun are active configurations by planetary years. Mars, the ruler of the 8th house, Lot of Affliction, and Lot of Death, was particularly highlighted. For instance, it is a distributor or co-distributor of the directed Ascendant and sect light. It was also highlighted by the profection of the sect light and lord of the year to Aries (8th house ruled by Mars). Additionally, there were the many 1st house/Mercury connections with Mars in the return. Finally, we determined that the monthly profection is to the 8th, Aries, which was occupied by the Moon in the return and the Moon is ruler of days. Now let’s look at transits.

The chart for the morning of May 17, 2012 is below. Summer died some time in the morning on this day. The time of Summer’s passing is not known, so please disregard the houses in the chart. In the next section, I’ll show the chart as a set of transits against the natal chart. For now, note how closely the chart mirrors the solar return, from Mars in Virgo (natal 1st) to the Moon in Aries opposing Saturn in Libra.

Donna Summer Day of Passing

Transiting Moon

Shockingly, the Moon was transiting through Aries, the 8th house, at the time of death. This echoes both the solar return and the Valens-style profection of the Moon. It is also in the house of the monthly profection. The transiting Moon was applying an opposition to transiting Saturn at the time of death. The transiting Moon also applied a close square to natal Mercury, the Ascendant lord. Transiting Venus and Saturn were partilely aspecting each other, while receiving the application of the transiting Moon, at the time of death.

Transits to Natal – Morning of 5/17/12 in Naples, FL – Day of Passing

Transiting Mars

Mars was transiting at 9 Virgo through the 1st house. This is over 5 months after Summer’s solar return, and Mars is still transiting in the 1st house. In fact, Mars had been transiting in her 1st house all year (see ephemeris)! About a month prior to death, Mars had stationed direct at 3 Virgo, in adherence to Donna Summer’s Ascendant (6 Virgo). Transiting Mars was applying to the natal Sun-Jupiter conjunction within a degree at the time of death.

Transiting Jupiter

As Jupiter is the lord of the year, its transits should also be looked at. The transiting Sun and Jupiter (in late Taurus) were applying to natal Mars within 3 degrees at the time of death. Transiting Jupiter (and Sun) were also opposing the natal twelfth-part of Mars (25 Scorpio) within 3 degrees. The transiting Sun-Jupiter conjunction by degree itself also echoes the natal Sun-Jupiter conjunction.

Zodiacal Releasing

Before concluding I’d like to explore another Hellenistic time lord technique which I think can be valuable. Zodiacal releasing is the modern name given to a technique which survives only in the text of Vettius Valens. I’ve placed this exploration of the technique at the end of this article as it can be confusing. Zodiacal releasing is traditionally from the Lot of Spirit or the Lot of Fortune. For matters of bodily health and material circumstances, Fortune (the Lot of the Moon) is used (glyph looks like an X in a circle). Spirit (Lot of the Sun) was used for professional and mental matters.

Moving Signs by Planetary Years

Zodiacal releasing was discussed by Valens in Book IV of his Anthology (download it here). One stars with the sign of Fortune, giving the ruler of the sign the first period. This period is the length of the ruler’s minor years (the only exception being that we use 27 for Capricorn rather than 30). It transitions to the next sign in succession activating that sign and its ruler for the number of planetary years of the ruler. We continue moving from sign to sign after each period.

There are also minor periods that are 1/12 the length, and some additional nuances. One key “nuance” is that the periods involve “years” of 360 days. Therefore, I recommend using software to calculate them (such as the free Valens program). I recommend getting the technique from the horse’s mouth (i.e. download and read Book IV of Valens). The interested reader can also get a thorough education on the technique through Chris Brennan’s Hellenistic course, or his module on Zodiacal Releasing. As of this update, there is also a good explanation of the technique in a podcast by Chris Brennan and on Anthony Louis’s website.

Levels

The two highest level periods are particularly important in zodiacal releasing. I give four levels below:

Sagittarius (Jupiter): The sign is occupied by Venus and the twelfth-part of the Moon, ruler is cazimi the Sun in 5th, Capricorn. This is about a 12 year period beginning in 2010.
Capricorn (Saturn) – The sign is occupied by 5 planets, including Sun and Mars, with ruler in 1st, Virgo. This is a nearly 2 year period beginning in February of 2011.
Scorpio (Mars) – The sign is occupied by the twelfth-parts of the Ascendant, Saturn, and Mars, with ruler in 5th, Capricorn. This is about a 5 week period beginning on May 9th, 2012.
Capricorn (Saturn) – See #2. This is a nearly 5 day period beginning on May 15th, 2012.

Donna Summer’s ZR Periods

Interpretation

Before getting into the finer points of the interpretation of zodiacal releasing, I want to note the repeat Saturn-Mars activation. Saturn and Mars rule all but the largest of the time periods (the Sagittarius period of about 12 years). The signs activated are also very significant. Capricorn holds the natal stellium, including the Sun and Mars ruled by Saturn, but also the close Moon-Mars conjunction, and Jupiter (ruler of Level 1). Scorpio is the sign holding the twelfth-parts of both malefics (Saturn and Mars) and the twelfth-part of the Ascendant. In terms of the umbrella period of Level 1, Sagittarius, its ruler is Jupiter, which is cazimi the Sun in Capricorn, so it is closely associated with the Sun’s significations there.

Judging by Angular Strength

As mentioned, in interpreting the releasing of Fortune, Valens paid special attention to the first two levels. One interpretive principle commonly used is that the Lot or its ruler in an angle of the chart (1st, 10th, 7th, or 4th place) shows strength. By strength, we are referring to a stability and achievement in what is signified. In this case, material fortune and health (Fortune). On the other hand, if cadent from an angle (12th, 9th, 6th, or 3rd place) it will show weakness. This rule can get difficult to use in practice, as Valens also suggests that we can use the angles of the Lot of Fortune. Using both the angles of the chart and those of Fortune, with both the Lot and its ruler, there are simply too many points and strong places in the chart to enable us to separate the wheat from the chaff.

Places from Fortune

Some people sidestep this dilemma by considering only the angles and cadents from Fortune, rather than from the Ascendant. Using that approach, the Capricorn periods would be vulnerable. Fortune would be in the 6th from Fortune (a cadent place). Periods ruled by a planet that is in Capricorn could be similarly vulnerable for the same reason. However, note that 5 planets are in Capricorn, which would cause most periods to have weak rulers.

The place of the Lot was thought to show the start of things and the ruler the development. So Level 1 in Sagittarius would start out not particularly strong or weak (as it is not an angle nor a cadent) but in the development of the period weaknesses could result (as the ruler is in the 6th from Fortune). Level 2 in Capricorn would start out weak, and would not develop much towards strength or weakness (as the ruler is not in an angle or cadent). The 3rd Level would start strong but end weak (Lot in angle, ruler in cadent). Level 4, like Level 2, would be weak without much improvement. Therefore, the overall stress of all 4 periods is on Capricorn. Capricorn is cadent from Fortune showing vulnerability when it comes to material circumstances.

Judging by Transmission

Valens discussed other principles of interpreting releasing from Fortune which I feel are a bit easier to delineate. One thing that he does is to view the 1st two levels as if the ruler of Level 1 is transmitting or passing off to the ruler of Level 2. It is like the ruler of Level 1 is running into some type of thing signified by the 2nd level ruler. For instance, a benefic transmitting to a malefic, as in the case here with Jupiter transmitting to Saturn, shows success liable to overturn. Additionally, the transmission of the Sun or Moon to Saturn is particularly dangerous for health, while Saturn to the Sun or Moon indicate the opposite, vigor.

… the sun and moon when transmitting to Saturn are indicative of setbacks and anxieties, and they bring hostility […] as well as bodily disorders and dangers, shipwrecks, sudden collapses, and very many crises … (Valens, Anthologies, Book IV, Ch. 5, Riley trans., 2010, p. 73)

Jupiter Cazimi to Saturn

According to Robert Schmidt of Project Hindsight, the original meaning of a cazimi planet is that it takes over signification for the Sun. Jupiter is cazimi the Sun in Summer’s chart and so acts akin to the Sun, another indicator of the vital spirit. The transmission of Jupiter to Saturn can be viewed as similar to a transmission of the Sun to Saturn, an indication of material danger.

Malefic to Malefic

If we were to consider the other levels in this type of consideration then we have Saturn transmitting to Mars (Level 2 to 3) and Mars transmitting to Saturn (Level 3 to 4). Valens regarded transmission from a malefic to a malefic (Saturn to Mars and vice-versa) as particularly dangerous, much like a situation that goes from bad to worse.

ZR Conclusion

Interestingly, in the zodiacal releasing method for health we find a repeated emphasis on Capricorn, Scorpio, and Mars. There is repeat activation of the 5th house. For Valens, the places from Fortune were even more important than the natal places for the purposes of this technique. Interestingly, Valens considered the 6th place from Fortune to pertain particularly to health crises. The 6th from Fortune is none other than Capricorn, the sign we see so strongly emphasized by the releasing from Fortune.

In addition, after finding the Place which has been assigned to Fortune, examine the points square with it and the other aspects, just as with the angles in the natal chart. The Lot itself will be equivalent to the Ascendant and will mean “Life;” the tenth place from it will be equivalent to MC and will mean “Rank;” the seventh will be the Descendant; the fourth IC. The other places will have the same effects as the <original> XII Places. Some astrologers have mystically hypothesized that the astronomical Ascendant and the points square with it are the Cosmic Angles, while the Lot and the points square with it are the Natal Angles […] (Valens, Anthology, Book II, Ch. 18, Riley trans., p. 34)

Conclusion

Donna Summer’s death was by the slow wasting illness of cancer. It did not involve dramatic sudden events like those of Whitney Houston and Marvin Gaye. We find Mars to be the most important planet for the topic of death and serious illness in her natal chart. Mars rules and dominates the 8th house of death and place of affliction by lot, and rules the place of death by lot while occupying it by twelfth-part. Summer’s Mars is fairly well-placed, being in sect, in a sign of its sect, in a benefic place (5th house), and exalted (Capricorn) with a trine from its 1st house ruler.

The timing of death coincided with about a dozen repeat activations of natal themes pertaining to Mars and death. The period ones involved Mars as a distributor of the sect light and co-distributor of the Ascendant, second level zodiacal releasing to Capricorn occupied by Mars, planetary years highlighting the Saturn-Mars-Sun configuration, profection of the Capricorn stellium (including Mars and sect light) to Aries, and profection of Fortune to Scorpio.

The solar return, with its Scorpio rising, Mars in the natal 1st, and the Moon in Aries (natal 8th) opposed to return Saturn certainly reinforced these themes. There was also that prolonged transit of Mars through the natal 1st house, passing back-and-forth over the Ascendant. That transit was not only in the January 1st solar return but spanned the entire first half of 2012, including at the time of her death in May. Finally, we saw Donna pass during an Aries, 8th house, monthly profection. The Moon timed the death with its transit through Aries on that day, in fitting application to transiting Saturn and Venus (death and artistry).

References

Valens, V. (2010). Anthologies. (M. Riley, Trans.) (Online PDF.). World Wide Web: Mark Riley. Retrieved from http://www.csus.edu/indiv/r/rileymt/Vettius%20Valens%20entire.pdf

Update: February 2019

In late February of 2019, this article was significantly edited and revised. There were some significant changes. I revised the wording of many sections for greater clarity. For instance, the analysis of profections and solar returns was re-written to explore the important Valens-style profections and the rules for returns which I noted in another article. Additionally, the section on zodiacal releasing was moved to the end due to the learning curve involved. There are now some great free explanations of zodiacal releasing out there, so I’ve linked to those. Also, the Lot of Death and Lot of Affliction were not touched on in the original article but were added due to their great significance.

Traditional Astrology of Death | Marvin Gaye

Posted on May 19, 2012 by Anthony

Introduction

I was about halfway through an article on the death of Donna Summer when my friend Ile Spasev brought Marvin Gaye to my attention. The timing of Gaye’s 1984 death at the hands of his father is absolutely fascinating. In reiterates the importance of planetary years, solar returns, profections, and transits.

One of the most interesting things about Gaye’s death is that it occurred on the exact day of his 45th solar return! It was also the day of a New Moon (conjunction of the Sun and Moon). It occurred the day before his calendar birthday. However, in astrological terms, it occurred on his true astronomical birthday (solar return). He was actually killed just a few hours after the exact return of the Sun to its position at his birth.

Marvin Gaye’s Natal Chart

Marvin was born on 4/2/1939 at 11:58 am in Washington D.C. (Rodden-rated A birth info). According to news releases he was pronounced dead on the afternoon of 4/1/1984 at 1:01 pm in L.A., California. His death followed his attempt to intervene between his mother and father, who were on the second day of intense bouts of argumentation. After Gaye pushed his father things took a turn for the worst. Gaye’s own father, in the heat of anger, ended up shooting him, which proved lethal.

His birth chart is shown below with the twelfth-part positions depicted along the outer wheel.

Marvin Gaye Natal Chart w/twelfth-parts

The Father in the Chart

In ancient astrology, Saturn, the Sun, and the 4th place (Valens adds the 9th place) are particularly relevant for the father. In Gaye’s chart, the Sun in the bound of Venus in the 10th is more pertinent to his fame and honors than his father. The Sun naturally signifies honors as does the 10th place, and the Sun adhering (applying conjunction within 3 degrees) to Mercury (vocal) and in the bound of Venus (arts) has particular relevance to his singing fame. The Sun additionally has no rulership over the 4th, so it provides less testimony over the house of the father, family, origins, and property. Still, the Sun is one significator of the father in the chart. The fact that Marvin’s death at the hands of his father occurred on the day of a solar return speaks to this.

Saturn is another natural significator of fathers. Like the Sun, it is in the 10th (a “stake” of the 4th). However, Saturn rules the 4th house of fathers by exaltation and triplicity (first triplicity lord of air by day). Saturn not only naturally signifies fathers but also accidentally strongly connects with the house of the father in the chart. Therefore, Saturn is considered to give the strongest testimony regarding matters concerning the father.

The Lot of the Father

The houses are not the only way that a planet comes to accidentally signify a topic. The lots also assign topics to places. Planets on or ruling a relevant lot also become significant for that topic of that lot. As I explained in my lesson on the lots, the typical formula for the Lot of the Father by day is to take the arc from the Sun to Saturn and project it from the Ascendant. This would yield a lot in early Leo. However, Dorotheus (1st century CE) and Paulus (4th century CE) both advised to use an alternate lot when Saturn is under the beams of the Sun, as it is here. The alternate lot is calculated from Mars to Jupiter, projected from the Ascendant.

Gaye’s Lot of the Father (by the Dorothean alternate formula) is at 8° Libra, the very same degree as his IC, in the 4th house. This again argues for the significance of Saturn which both strongly aspects the place, has multiple forms of rulership there, and naturally signifies the father. The antiscia of Jupiter at 8 Libra, the same degree as the lot and IC, connects the father with religion (minister).

Marvin Gaye’s Natal Chart with the Lot of the Father at 8*47′ Libra

Saturn

Saturn does a good job of describing the father (and also the death itself). It is in a cardinal sign, known for initiating major changes through abrupt action. Saturn is also in a sign and bound of Mars, the planet of violence. Additionally, it is dominated by Mars (right side square). Furthermore, the twelfth-part of Saturn is in Scorpio, the other house of Mars. Therefore, the influence of Mars over Saturn is reinforced in multiple ways. Domination gives Mars substantial influence over Saturn, symbolic of a father becoming dominated by rage and violence. Saturn is also in the sign of its fall. Fall can show a type of weakness, though Saturn takes about 2 1/2 years to traverse a sign, so it is not particularly noteworthy.

Saturn afflicts Mercury, the Sun, MC, and the twelfth-parts of the Ascendant and Venus, as all are in Aries with Saturn. The vulnerability of these significators to Saturn, through their shared habitation of Aries, pertain to argumentation (Mercury), publicity (Sun), career (MC), self/body (Asc), and music and mother (Venus). Saturn’s close aspect with Mercury, both of them under the beams, may relate to the father’s strange contradictions. He was a minister who was an alcoholic, physically abusive, and a cross-dresser at home. While Marvin did not get along with his father, his own drug use and paranoia near the end of his life was seen to be turning him into his father in the eyes of some observers (twelfth-part of Asc conj. Saturn).

Marvin Gaye Natal Chart w/twelfth-parts

Death and the Father

Saturn is the planet with the greatest testimony over the place of death in the chart, the 8th house, Aquarius. This is because Saturn rules the sign, has triplicity there (1st triplicity lord of air), regards the place, and is a natural significator of death. Therefore, Saturn’s testimony with regards to death is very strong in his chart.

The Sun also has some lesser testimony over both the father and death. I discussed how the Sun is a natural significator of the father and is in a stake of the 4th. The Sun also rules and has its twelfth-part in Leo which is the 8th house from Fortune (Capricorn). The 8th place from Fortune was considered the main “place of death” by Vettius Valens. Leo also happens to be the position of the other Lot of the Father (Sun to Saturn, from Asc). Therefore, there are repeat connections between the father and death in Gaye’s chart.

Finally, there is the Hellenistic Lot of Death which is taken from the degree of the Moon to the start of the 8th sign, and projected from Saturn. There is a distance of 127°48′ from the Moon to Aquarius. Projecting this from Saturn in Aries bring us to 27° Leo for the Lot of Death. As noted, Leo is also the 8th from Fortune, the position of a traditional Lot of the Father, and the position of the twelfth-part Sun. Therefore, we see yet another repeated connection between the father and death.

Mars in the 7th House

Mars is the out of sect malefic in the chart and is in the 7th house, the alternative house of death. The 7th house was not only associated with death in early Hellenistic astrology but its opposition to the Ascendant was viewed with suspicion by Dorotheus and Valens. The fact that a planet there opposes the Ascendant (significator of the self) is indicative of the possibility of harm against the native. Mars is out of sect in the 7th and has its twelfth-part conjunct Jupiter and opposed to the Moon, two of hte significators of the self in the chart. Therefore, it signifies the potential for bodily violence.

Marvin Gaye Natal Chart w/twelfth-parts

Beyond the Sun, Saturn, and Mars

Both Venus and the Moon give testimony regarding the mother, even though neither of them regard the 4th house of family. Venus does so because she rules the 4th and is a feminine natural significator of mothers. The Moon does so because she is also a natural significator of mothers and is in the 3rd house, her joy, another place of the mother (per Valens).

The Moon and Jupiter provide some of the strongest testimony in terms of Gaye himself and his temperament, as they both regard the 1st and have a lot of lordship over the actual Ascendant.

Planetary Years

I discussed the use of planetary years for prediction in a past article. Planetary years are a valuable technique for timing the activation of key events concerning notable configurations in a chart.

Marvin’s death occurred on his 45th solar return. Very rarely do planetary years culminate at such an exact point. Fascinatingly, 45 is the activation of Saturn-Mars relationships in the natal chart. Saturn has 30 planetary years, and Mars 15, yielding 45.

This signifies a very major event as it activates three important Saturn-Mars configurations in his chart: the Mars-Saturn square with Mars dominating; Saturn in Aries (domicile of Mars); and Mars in Capricorn (domicile of Saturn). Thus planetary years show a strong activation linking the father, violence, and death.

Planetary Days

According to the technique of planetary days discussed by Julius Firmicus Maternus (4th century CE), the ruler of the year rules the first set of days in the year. Therefore, Mars was the planet in charge of signifying both the plan for the year and the days at the time of death.

Profections

Those unfamiliar with profections, can learn about them in my series of articles on the topic.

As the death happened just after the 45th year solar return, the annual profection of the Ascendant moved to the 10th place of the chart. Therefore, Aries was the sign of the annual profection at the time of death. The profection was highlighting the planets in the 10th place, including Saturn, Mercury, and the Sun. Mars, the ruler of Aries, was the lord of the year. In other words, the annual profection put the focus squarely on Saturn in Aries, ruled by and dominated by Mars.

Solar Return and Transits

I have been meaning to expand on my series on solar returns, which I started here. For now, it suffices to look at the solar return as a set of transits to the natal chart. I depict the solar return along the outside of the natal chart below. In addition, I have posted the natal chart with twelfth-parts as there are fascinating connections between the return on the day Gaye died and the natal twelfth-parts.

Outer positions are from Gaye’s Final Solar Return which is on the day he died

First, it is noteworthy that the return, and death, occurred on the day of a New Moon in Aries. This is a further activation of the sign Aries and its occupants, including Saturn, and its ruler Mars. At the time Gaye was pronounced dead, the transiting Moon was at 16 Aries adhering to Gaye’s Saturn.

Second, as Mars is lord of the year and of days, the position of Mars in the return is of pivotal importance. In the return Mars is in Scorpio, one of his own domiciles. Return Mars is with return Saturn and in Saturn’s bound, again echoing the Mars-Saturn significations. Additionally, Mars is at 28 Scorpio, conjunct the twelfth-part of natal Saturn in the very same degree! The twelfth-part of return Mars was itself at 9 Libra, opposing Gaye’s Sun, and conjunct his Lot of the Father and IC (both at 8 Libra).

Marvin Gaye Natal Chart w/twelfth-parts

Venus and the Moon

In addition to Mars transiting right over the natal twelfth-part of Saturn (at 28 Scorpio), the twelfth-part of transiting Venus was also at 27-28 Scorpio. I take this Venus transit to represent the connection with the mother, who Gaye was arguing on behalf of at the time of the incident.

Transiting Venus itself was at 22 Pisces with Gaye’s Jupiter, symbolic of himself. This position is also opposed to his Moon, connecting to both himself and his mother. Fascinatingly, this is also the position of Gaye’s natal twelfth-part of Mars. Therefore, there is the symbolism of himself and his mother mix and come into contact with the father’s rage and violence (Mars).

Primary Directions

It is also worth noting important primary directions around the time of death, as I did for the death of Whitney Houston.

Distributor

Marvin Gaye’s Distributors of the Ascendant and Sect Light

First, we look at the distributors. Amazingly, both the Ascendant and the Sect Light (the Sun) were directing through the bounds of Mars. Mars, the out of sect malefic, set the tone as the many time lord during the period in which the death took place.

Aspectual Primary Directions

The aspectual directions are not as striking to me as some of the indicators, but there are a few relevant ones. One of the more interesting directions occurring within 6 months of his death is that of the star Algol (associated with death and violence) directing to Gaye’s MC.

Algol Directed to Gaye’s Natal MC

Additionally, less than 4 months before his death there was a direction of Mars to Jupiter. This is relevant as Jupiter is one of the important significators for Gaye himself in the chart. Jupiter rules the bound of Asc and exalted in the sign of Asc. The relevance of the placement of twelfth-part Mars on Jupiter and opposed to the Moon in the natal chart is echoed. I discussed how the transit of Venus at death over this position also pertained to the importance of the mother in the situation. Gaye was intervening on his mother’s behalf.

Mars Directed to Jupiter

Conclusion

Death is not a pleasant topic to analyze. However, it is one of the most definitive events in every individual’s life. Therefore, it should be one of the most stand-out events from an astrological perspective. When we see that there is a higher intelligence at work in this universe it forces us to rethink the nature of life and reality. Perhaps our analysis will bring us closer to accurately spotting death, enabling us to even avert death for a time. Or maybe Urania will simply whisper indications a bit more quietly when we forsake her secrets. In any case, even in hindsight, looking back on the pertinence of the symbolism when using the ancient techniques is always thought-provoking and humbling.

Featured image is in the public domain.

Updates

02/11 to 2/13/2019: Thorough edit, plus additional information regarding Mars and the Lot of the Father, as well as some notes about Gaye’s dad and more.

Traditional Astrology of Death | Whitney Houston Revisited with Directions

Posted on February 29, 2012 by Anthony

Introduction

In the last article on Whitney Houston’s death, I discussed some major astrological predictive factors. A number of predictive techniques highlighted the importance of Saturn. From the activation of her natal Sun-Saturn opposition, to Saturn’s transit through her 8th house of death. At the time of death we found the transiting Sun conjunct her natal Saturn while the transiting Moon was in her 8th with natal Mars and applying to that transiting Saturn. Altogether, 8th house and Sun-Saturn themes abound in the predictive indications. In fact, though not noted in the other article, Houston also has her twelfth-part Saturn in Virgo, the sign activated by the monthly profection at the time of her death.

Primary Directions

Following the publication of that article, some commentary on it prompted me to explore primary directions in some depth. I followed that exploration with a series on pre-Renaissance traditional primary directions. That series explored the basic use of primary direction in ancient astrology and how they can be calculated with free software. The first post on primary directions concerned the primacy of the Ascendant in early directions and the time lord technique of directing the Ascendant through the bounds. This later came to be known as the distribution. The bound lord is called the distributor, or jarbakhtar from Persian terminology. I also explained how to calculate primary directions. Since that time an update of the Traditional Morinus version of the software has been released which improves the display when directing through bounds. You can download the software here.

Death and Directions

In this article, I won’t be discussing all the ancient special techniques for longevity and death. I will hit on some of them in some future posts in this series. However, note that in those techniques there is an emphasis on the direction of a malefic significator (planet, star, lot, or point) of harm to a significator of the health and the body (typically a Light or the Ascendant). For instance, the Descendant is symbolic of death (point of setting) so a direction of the Sun to the Descendant could signify death. While conjunctions, squares, and oppositions are typically the most important types of aspects, for primary directions we consider all classical aspects. This is because primary directions take so long to occur. Often a planet will only aspect another planet or point a few different times over an entire lifetime.

Whitney’s Chart

Whitney Houston Natal Chart (AA-Rodden-Rating)

Directing Through the Bounds

As I detailed in my introductory article on primary directions, the bound lord of the directed Ascendant was typically considered a very powerful time lord, setting the tone for the period. For this reason, I advise that one should always look at the direction of the Ascendant through the bounds, The bound lord, an important time lord, is known as the distributor or in Perso-Arabic astrology as the jarbakhtar. A table can be generated in Morinus as discussed in the article I referred to earlier. The following table of jarbakhtars is for Whitney Houston, with the period active at her death highlighted.

Whitney Houston – Distributors of the Ascendant for 100 Years After Birth

Saturn as Distributor

As we can see from the table above, Saturn is the main time lord of the period (day of death was Feb. 11, 2012). We find that this technique, as with many of the others, strikingly highlights the role of the natal 12th house Saturn in characterizing the period.

Other Distributors

While the distributor of the Ascendant is typically the most important, and is the one used by Abu Ma’shar, some authors, including Masha’allah, use the technique for other life-signifying points as well. Typically, it is one of the Lights or the Lot of Fortune that are also considered. While I consider the distributors of the Ascendant to be much more important, I’ve included below a table of the distributors of the Lights and Lot of Fortune as well. It is interesting that the Sun and Lot of Fortune also (like the Ascendant) have malefic distributors, in this case Mars.

Houston Distributors of Lights and Fortune Age 25-50

Algol to Ascendant

One of the most striking primary directions at the time of death is that of the fixed star Algol to the Ascendant. Algol is considered to be one of the most malefic fixed stars. It is in the constellation of Perseus, which images the hero Perseus grasping the head of the Gorgon, Medusa. Algol is the eye of Medusa in the constellation. The star has separately been associated with demons, evil, death, decapitation, horror, tragedy, and such in many different cultures. For those unfamiliar, you can get a quick briefing on Algol on Wikipedia and especially on Constellation of Words.

A table showing all the directions of fixed stars to the Ascendant from Age 25 to 50 is below. The table says the direction was exact on February 15th, which in primary directions is still “exact” even on February 10th, because even seconds of inaccuracy in recording the birth time equates to days of difference in timing by primary directions.

Directions of Fixed Stars to Whitney Houston’s Ascendant (direction of Algol to Ascendant in February 2012)

Saturn transiting over the Directed Sun

Whitney Houston’s Natal Chart

One of the more interesting directions at the time of death concerns the Sun. As seen above (2nd table up), the distributor of the directed Sun was in the Mars bound of Libra. This bound is 2 degrees in length starting at 28° Libra and ending at 0° Scorpio. Interestingly, Libra is Whitney Houston’s 8th House and the Mars bound of Libra is the bound Saturn transited at death. In fact, look below at the chart of the primary directions zodiacal positions at the time of death. We find the directed Sun at about 29°14′ Libra. Transiting Saturn was conjunct it in the same degree at the time of death.

PDs in Chart for Death of Houston

In my opinion, this was one of the more striking repeat Sun-Saturn significations. Consider this together with over-arching Sun-Saturn planetary years manifestation, Saturn as the main distributor, and the transit of the Sun over natal Saturn.

Whitney Houston – Transits at Time of Death

Conclusion

If you’re new to primary directions, I hope this has whet your appetite for this very valuable technique. Please check out the other articles on primary directions to start working with them yourself. They are really not hard to work with when there is great free software available for the calculations. Until next time, give someone you love a big hug, and let them know how much you care. Continue having fun exploring traditional predictive astrology.

The featured image is Medusa by Caravaggio.

Astrological Predictive Techniques | Primary Directions | 2. Software Calculation

Posted on February 19, 2012 by Anthony

Primacy of the Ascendant

In the first article of this series, I discussed a little bit about the history and use of primary directions. One point that I made was on the primacy of the Ascendant. Other directions are used in Hellenistic and Persian predictive literature, but directions to the Ascendant, and particularly those of the bounds, have an immense primacy in early directions literature that was lost in later eras.

This primacy of the Ascendant was still evident in the Persian period. In fact, the entire Book III (Distributions) of Abu Ma’shar’s On the Revolutions of the Years of Nativities is devoted to primary directions involving the Ascendant. From his jarbakhtar technique and his look at planets (and Lots and even Twelfth Parts) conjoining or aspecting the Ascendant by primary motion as partners with the jarbakhtar direct everything relative to the Ascendant. There is also an exposition of how to direct the Ascendant through the Indian Ninth Parts and their subdivision into thirds (Abu Ma’shar claimed that this was how the Indians directed the Ascendant, and so he recommended it as an alternative).

Getting Ready

In that first article, I discussed how to roughly estimate directions involving the Ascendant with the use of ascensional times. I also examined how to play with astro-clocking how to calculate directions through the bounds with the free astrological program, Morinus. This is going to be a very short article in which I’m going to show how other primary directions can be found with the Morinus software. We will be adjusting settings in Options->Primary Directions within the program. First, make sure that The Primary Key is set to Ptolemaic and and the type of direction is only Direct. You can do this in the Tables->Primary Directions settings. Those settings in that section will not change for the reasons noted in the last article.

Basic Settings

Basic settings for looking at aspectual directions will be very much the same as those discussed in the last article. We’ll just add in the traditional aspects, the points we want to see directed and directed to, and consider a few settings. Below is how I would look at directions to the Ascendant.

Significator and Promissors

The Ascendant would be the significator. The significator is a point that we want to stand still relative to the location. Everything else (the promissors) rotate through by primary motion. A promissor and the zodiacal degrees it aspects will arrive at the significator by primary motion.Check as promissors all the planets and other points you might want to direct to it.

Semiarc and Zodiacal without Latitude

Semiarc and Zodiacal without latitude were the standard means of directing until about the 15th century.

Aspects of Significators?

In zodiacal options, the first option should definitely be checked, but the second is more controversial. Traditionally, the second option would not be used. You direct aspects of promissors to the significator, but not vice-versa. Some may opt to include these though as they also involve primary motion.

The difference between the two pertains to a notion of what aspects what, and from what direction. Ptolemy called these direct and converse. However, they are different from the modern sense of converse directions (modern sense is backwards directions, opposite the primary motion). Basically, if you check the second option then besides looking at when a planet or its aspects direct to the Ascendant, you will also be looking at when a planet directs to a spot in the sky that at birth was occupied by a degree that aspected the natal Ascendant degree. For more on this see the last section of Chapter 1 of Martin Gansten’s 2009 book, Primary Directions: Astrology’s Old Master Technique.

Asc and MC as Promissors?

Look at the third option on the bottom left. There are some arguments for treating the Asc and MC as promissors. However, they were not treated that way traditionally. In this scenario, the degrees of the Asc and MC move away from the actual Asc and MC by primary motion. Therefore, you are basically treating the natal degrees of the Asc and MC like the planets. These two degrees and all the degrees they aspect arrive at natal positions like the Asc and MC. In this way, an aspect of the Ascendant degree as promissor can actually be carried to the Ascendant as significator.

I would argue against their use, especially initially. They are very different from directions to an actual angle, but are often confused for them. Unlike a direction of the a planet to the Ascendant, which reflects a planet rising after birth, a direction of the Ascendant’s degree as promissor to a planet as significator, goes from the Ascendant degree up to a planet that has already risen. It has a sense of backwardness to it. Note that the direction of the Ascendant degree to a planet is not likely to be as significant as the direction of a planet to the Ascendant (eastern horizon).

Secondary Motion of the Moon

The second thing that I’ve highlighted is accounting for the secondary motion of the Moon. When we use the astro-clocking method we are accounting for secondary motion. Secondary motion is very slight in the few hours following birth for all planets but the Moon. The technique examines connections made by the planets, especially to angles, after birth, in a natural manner. The hours after birth are symbolic of the lifetime with every 4 minutes of clock time as a year.

It doesn’t appear that secondary motion was accounted for in the traditional technique, especially when ascensional times were used. However, an argument can easily be made for accounting for the secondary motion of the Moon so that directions more accurately reflect the reality in the relevant time after birth. If you do use this option, then you’ll have to figure out what the three different iterations mean, because I’m not sure. They could pertain to accounting for some combinations of secondary motion, parallax, and refraction that affect lunar positioning. There is more on this topic of secondary motion in Chapter 7 of Martin Gansten’s aforementioned work, Primary Directions: Astrology’s Old Master Technique.

Adding More Significators

From here, if you want to look at directions to additional signficators, just check their boxes. As mentioned in the last post, in order to pull up the table of directions just click Tables->Primary Directions, choose only Direct, select the age span, and hit OK.

I would caution against starting with too many significators. Ultimately, you want to stick with a very limited number of significators. After the Asc, expand to the MC, the lights (Sun and Moon), and Lot of Fortune. Directing through the bounds is the most important for the Ascendant and the sect light.

Have fun!

Featured image of Etalon-1 is in the public domain.

Astrological Predictive Techniques | Primary Directions | 1. Ascensions and Bounds

Posted on February 17, 2012 by Anthony

This article was significantly updated in April of 2018.

Primary Directions Buzz

Few techniques are accompanied by more hype than primary directions. Late traditional astrology was a time when the complexity of an astrologer’s mathematical abilities were more important than the veracity of one’s predictions. It is little wonder that primary directions were the key predictive technique of the era and that they grew increasingly complex.

I often hear it said that primary directions are the key to predicting the time of death. Also, that a type of primary directions can time out all of the major events in a person’s life to the very day that they occur. Additionally, because of the last belief, I’ve heard that birth times need to be rectified (even if recorded with a stopwatch at birth) so that important life events line up with primary directions to the exact day.

Primary Directions in Ancient Astrology

While primary directions are over-hyped, they are an important addition to the astrologer’s predictive toolbox. They also have their origins in Hellenistic astrology and were popular in Persian medieval astrology. Directions through the bounds and directions to angles, especially the Ascendant, were the earliest types of directions used. They are also among the most important types of directions.

I feel that it is best to start from the beginning, with the way primary directions were used in early Hellenistic astrology. We will progress gradually from there. I will not explore the increasingly diverse approaches to primary directions that arise during and after the Renaissance. I’m of the rather cynical opinion that the reader will be better off for that.

According to Martin Gansten who wrote the definitive text on the subject, prior to the 15th century, directions were always in the zodiac (i.e. in zodiaco as opposed to in mundo), without latitude, used semi-arc proportions, and without any relationship to particular system of quadrant house division (Gansten, 2009, p. 61). That dispenses with about 90% of possible software settings for primary directions. Let’s keep it simple and stick with primary directions as they were done for about the first 1500 years of horoscopic astrology.

What are Primary Directions?

As you’ve probably heard, the Earth spins once around over a 24 hour period. The planets rise, culminate, and set with this spin. The apparent motion of the planets as they rise, culminate, and set with this spin is called their primary motion.

The Primary Motion of the Planets and Signs

Now imagine we were to freeze copies of the positions of the planets in the sky relative to the Earth at the moment of birth. Then we were to let everything spin as usual and watch the planetary conjunctions and aspects that occur in the sky relative to those copies as the day goes on, with the planets continuing to rise, culminate, and set. If we did this we would see planets arrive at (i.e. be directed to) our birth planets and our birth angles by the primary motion. These are the primary directions of the planets.

The clock time that it would take for these conjunctions and aspects to occur is the timing of these directions. For instance, we may say that 4 minutes of elapsed clock time is symbolic of 1 year of life.

Right Ascension

The 24 hours of spin is given a constant measure called Right Ascension (RA), such that 30 degrees of RA pass over the Meridian of the location in exactly 2 hours of clock time. Therefore, 360 degrees of right ascension passes over the meridian in 24 hours. Since 24 hours equals 1,440 minutes, each of the 360 degrees corresponds to about 4 minutes of clock time (i.e. 1,440/360=4). In other words, if a planet were to culminate (i.e. reach the MC) 8 minutes of clock time after birth, then we’d convert this to degrees of RA as being a direction to the MC 2 degrees (of RA) after birth.

The Annual Key

To convert these degrees of RA into years of life, we use an annual key. The original key is 1 degree of RA equals 1 year of life. This key is sometimes called the Ptolemaic key. However, it was not Ptolemy that originally used it. This is the annual key used for primary directions until about the Renaissance, and thus it’s the only one we’ll use. Remember, 1 degree of RA = 1 year of life = 4 minutes of clock time.

Smaller Units of Time

We now know that 1 degree of RA is symbolic of 1 year of life, but there are 365.25 days in a year, so how much RA is a day? 1 degree is equivalent to 60 minutes of a degree which is equivalent to 3,600 seconds of a degree. By dividing 3,600 by 365.25 we get that a day is about 9.86 seconds of a degree of right ascension.

We really don’t need that sort of precision, as primary directions are not the appropriate technique for timing to the day anyway. When we do want greater precision we can let a good software program do the calculation for us. It was common practice in the ancient world to approximate with a 360 day year. This would give an even approximation of 10 seconds of a degree for one day (i.e. 3,600/360=10) and 5 minutes of a degree for one month (i.e. 10 seconds * 30 = 300 seconds = 5 minutes).

Estimating Primary Directions to Angles with Astro-Clocks

Because about 4 minutes of clock time is equal to a year of life by primary directions, one can actually use an astro-clock to find key years quickly. Look at the time in minutes that it takes from birth to when a planet conjoins or aspects an angle of the chart. Take that time, divide by 4, and you will get a rough approximation of the year (and quarter) when an event is likely to occur. Out of all of the primary directions that are aspect-based (as opposed to the time lords discussed below), these directions to the angles are the most pivotal, especially the direct hits. It is handy to be able to approximate these with an astro-clock or by manually time adjusting a chart.

Example: Kurt Cobain

The divorce of Kurt Cobain’s parents when he was seven years old is often cited as a very influential event in his life. Looking at his natal chart we see that Jupiter is the ruler of his 4th of family, and that Venus (one significator of the mother in the chart) is conjunct Saturn in his natal chart. This Venus-Saturn conjunction was a particularly significant combination in his musical career, his marriage to Courtney Love, and his suicide.

Kurt Cobain’s Natal Chart

30 Minutes After Birth = 7.5 Years

Sure enough, about a half hour (about 30 / 4 = about 7.5) after Kurt’s birth Jupiter, ruler of the 4th, exactly aspects the Descendant, and Venus conjoins the Descendant. The setting of Venus is more significant here because it is a direction to the horizon itself, rather than a direction of an aspect of a planet to the horizon (the Jupiter direction is from the trine of Jupiter to the horizon). While a traumatic parental separation may not strike one as a particularly Venus and Jupiter type of event, Jupiter, in Cancer and ruling the 4th shows the emphasis on parents, and Venus, being conjunct Saturn, shows the effect on his sense of relationships, and the loss and burden associated with that.

30 Minutes after Cobain’s Birth

48 Minutes After Birth = 12 Years

At age 12, his mother granted full custody to his father. Age 12 would correspond to about 48 minutes after birth (4*12=48), and sure enough Saturn sets in the chart about 48 minutes after birth. The setting of Saturn rounds out the impact of this very powerful Jupiter-Venus-Saturn configuration coming due by direction to the Descendant.

Play with Astro-Clocking

I invite the reader to take a few minutes to play around with this on one’s own chart and other working charts. I want you to get a rough idea of when directions to angles occur in the life, especially those that are complex configurations involving a series of hits over a few years. Think in terms of natal significations that could be unlocked by the prominence that lining up with angles can bring.

Early Primary Directions

According to Gansten (2009, p. 11), there is evidence of the use of primary directions as far back as the 1st century CE. They appear in the Carmen Astrologicum of Dorotheus and possibly also in a paraphrase of the early 1st century CE astrologer Balbillus.

There are three things that you should know about the earliest primary directions:

There is an exclusive focus on the Ascendant.
The rising of the bounds of a sign give rise to a time lord of the period and this bound lord sets the tone of the period.
Directions of planets to the Ascendant and planetary aspects to the Ascendant mark transitory events.

As noted in the series of lessons, the Ascendant is symbolic of the self, so this focus on the Ascendant makes sense. As with the metaphorical journey of the self through the houses by profection of the Ascendant, the directed Ascendant shows a journey of the self through the bounds of the planets. Directed aspects to the Ascendant show the self encountering significant sets of circumstances.

Directing through the Bounds

This second point about directing the Ascendant through the bounds was lost to later traditional astrology. Today, primary directions are used as a suped-up set of transits rather than as a time lord system. However, this was a critical facet of this technique from the beginning right on through the Persian period. During the Persian medieval period, the bound lord of the directed Ascendant is known as the jarbakhtar (distributor of time, much like the Greek chronocrator). In Hellenistic and Persian astrology, this use of directions appears to have been given more stress than the aspectual type.

The bounds used were the Egyptian bounds. Note that the “Egyptian” bounds were the only set which were widespread and independently attested in multiple Hellenistic sources, and are rooted farther back in Mesopotamian astrology. You can find a table of Egyptian bounds online at Altair Astrology’s blog here, or download a free pdf of the bounds and more from Project Hindsight here.

Astro-clocking can be used to roughly estimate the distributor as well. Simply note the time it takes for the Ascendant to change bounds.

Dorotheus on Directing through the Bounds

When Dorotheus directed the Ascendant through the bounds in Book III, Ch. 2 of Carmen, he emphasized both the bound lord and planets aspecting the bound. For instance, when the Ascendant reaches 24-30 degrees of Scorpio, the bound of Saturn, he gives the distribution to Saturn and Venus. Venus in the chart is at 27 degrees Leo, aspecting the bound, so Venusian events occur. Overall, the period is marked by difficult Saturnian events though.

I would interpret the bound lord as the overall distributor characterizing many key events which take place over the period, The aspecting planet then comes to the forefront and characterizes important during the year when the aspect is close. Study the following excerpt of Dorotheus (Book III, Ch. 2, 2017, Dykes trans., p. 193; note that information in {} brackets is mine):

Then the distribution reached Saturn, and Venus cast rays to 27° of Scorpio from the square: so Saturn and Venus governed this distribution together. {…} And because of the place of Saturn his mother died in that time, and he acquired goods because Saturn indicated these {Saturn was in the 2nd}, and he will marry a woman with a dowry, and a child will be born to him ([and]live a little bit, and die) in the third year; so his joy will be from women and children due to Venus, and his weeping and the death of his children due to Saturn.

Distributor Sets the Tone

In this case, the native has many difficult events occur as the main distributor is Saturn. This is due to the natural significations of Saturn as well as his indications in the chart. In the chart, Saturn is in the 2nd, rules the 3rd and 4th, dominates the 5th, and is closely dominated by an out of sect Mars who squares him within a degree. However, around the 3rd year, when the aspect of Venus is effective, he marries and has children. Venus naturally signifies marriage, she rules the 7th and is the exalted ruler of the 5th, and she is in the 10th house where she confers children. Thereafter, misery strikes again with the death of the child due to the fact that Saturn is still the distributor.

Estimating Ascendant Directions with Ascensional Times

The ecliptic is at an angle to the horizon, so signs rise somewhat diagonally. For this reason, they take more or less than 2 hours to rise, rather than a steady 2 hours per sign. The length of time it takes for a given sign to rise depends on the latitude of the location, and this length of time is measured in Right Ascension (RA). You will recall that 1 degree of RA is basically 4 minutes of clock time. Therefore, if a sign rose uniformly, then all 30 degrees of the sign would rise in 30 degrees of RA or 2 hours (30 degrees RA * 4 minutes clock time = 120 minutes clock time).

What are Ascensional Times?

When a sign takes longer than 2 hours to rise, it is called a sign of long ascension. Let’s say it rose in 3 hours, then we’d call this 3 hours its “ascensional time” for that latitude. However, we want to express the ascensional time in RA. 2 hours of clock time is 30 degrees RA, so 3 hours of clock time would be 45 degrees RA. Therefore, the ascensional time for that sign which took 3 hours at that latitude would be 45 degrees of RA.

Ascensional Times as the Years of the Signs

The ascensional times of the signs for the latitude of birth are important to know. They are used in various Hellenistic predictive methods. The ancient key of 1 year for each degree of RA was used in multiple ways in Hellenistic astrology. For instance, an activation of the sign in the chart was thought to occur around the same number of years as the ascensional time of the sign. In our 45 degree sign example, we might expect some special activation of that sign in the birth chart at 45 years of age.

Ascensional Times in Valens

For instance, in Book II, Ch. 2 of Anthology, Valens advised to look at the sect light and its triplicity lords to assess if one has an overall fortunate life or not. The position of the sect light itself is important, but the triplicity lords, which typically indicate supportive influences, preside over certain periods of life. The first triplicity lord assists in the first period of life, with the second taking over after that, and then the third after that. Valens instructs that the time that the first triplicity lord rules is either its minor years or the ascensional time of the sign it occupies.

For nativities which are badly situated (whether day or night births), if the predominant houseruler is unfavorably located, but its successor is at an angle or otherwise configured well, the native will experience ups and downs during his early years or until the rising time of the sign or until the cyclical return of the chronocrator, but will afterwards be vigorous and effective–except for being unsteady and anxious. (Valens, Book II. Ch. 2, 2010, Riley trans., p. 25)

There are many other areas in the Anthology in which Valens uses the ascensional times of the signs. See for instance Book II, Ch. 28, Book III, Ch. 14-15, Book IV, Ch. 29, and throughout much of Book 7. The examples in Book VII are particularly revealing as he considered the age corresponding to the ascensional time of the sign to activate events symbolized by planets in and aspecting the sign. He also does quite a bit of adding the ascensional times of the signs to the minor years of the planets in or aspecting the sign to show combined activation.

Ascensional Times in Primary Directions

Additionally, the ascensional times were used to estimate primary directions pertaining to the Ascendant. They were also sometimes used as a sort of rough symbolic direction of other points, even though it is not astronomically correct to use them for directing other points. Gansten (2009, p. 14) mentioned that at least Valens and Paulus Alexandrinus employed this short cut method. The method is as follows: take the ascensional time of the sign, divide it by 30, and use that as a conversion unit for the RA of one zodiacal degree of the sign.

To better understand how this is done, the reader will have to first obtain a table of sign ascensional times for the latitudes. One such table is available from Project Hindsight for free as the last pdf link on this page. Please download that table at this time and refer to it for the discussion in the next few paragraphs.

Calculate Kurt Cobain’s Directions by Ascensional Times

Let’s return to Kurt Cobain. He was born at about 47 North, for latitude, and his Ascendant is Virgo. At the intersection of latitude 47 and the sign Virgo, you will find the ascensional time of 40°29′. Dividing by 30 we get 1°21′ or 1.35°, which is our conversion factor. In other words, while the Ascendant is in Virgo, we pretend that 1° of zodiacal longitude is equivalent to 1.35 years of life (about 1 year, 4 months, and 1 week).

Bounds of Virgo

Kurt’s Ascendant is at 20 Virgo in the bound of Jupiter but the bound switches to that of Mars in a degree, and thus at about age 1 year, 4 months. Mars rules that time in the life until the Ascendant enters the bound of Saturn which starts at 28 Virgo, 8 degrees past the Ascendant. We calculate the entry into the Saturn bound as 8*1.35=10.8 years, or about 10 years and 9 1/2 months of age. In other words, from about age 1 1/2 until almost age 11, Mars is the lord of the time, and will set the tone for events. The Saturn bound lasts for 2 degrees, or 2.7 years (1.35*2=2.7), until he is about 13 1/2. After that point the Ascendant enters the first bound of Libra, which is another Saturn bound.

Bounds of Libra

When entering a new sign we have to find the conversion factor for the new sign. However, in this case it is easy, because Virgo and Libra have the same ascensional times, and thus the same conversion factor. That Mars and Saturn as time lords set the tone during Kurt’s childhood for the other directions is significant, particularly in relation to our speculations about the meaning of the Jupiter and Venus directions above.

Aspects

We can do the same thing for aspects to the Ascendant. The Ascendant is at 20 Virgo and Saturn is at 28°44′ (about 28.75) Pisces. When 28°44′ Virgo rises this direction of Saturn opposite the Ascendant (same direction we mentioned as occurring around age 12 above on astro-clocking) will be complete. Therefore, we are interested in the age that corresponds to about 8.75 degrees of zodiacal longitude. Multiplying by our Virgo conversion factor for this latitude of 1.35, we get 11.8 years of age for the setting of Saturn, which is pretty close to the estimate we got by astro-clocking.

Quick Pen and Paper Primary Directions

Hopefully, you now have a good grasp of how the sign conversion factors can be used to convert zodiacal distance into years of life. This is simply a rough estimate because each sign does not rise at a constant rate. It is not precisely accurate to equate any arbitrary zodiacal degree of Virgo with the same particular unit of time. However, it is useful when you don’t have access to a program that can calculate primary directions or even an astro-clock.

Directing through the Bounds with Free Software

In a future article, I’ll give more details about finding primary directions with free software. However, I want to leave the reader with at least the chance to create and print off tables for the Ascendant jarbakhtar periods of any chart. This is done with the free open-source traditional astrology program Traditional Morinus.

I won’t get into the details of installing the program and entering basic chart data here because I’ve addressed it in this prior post, and further in this one. If you are new to Morinus, please check out those posts. Please download, install, and get a chart in there, before continuing on.

OK, now that you have a birth chart up, you should have a screen that somewhat resembles the following:

Settings

First, let’s set the Key. Click Options, then Primary Keys (or press SHIFT-K). Select “Static” and select “Ptolemy” from the list, then click OK.

Second, let’s set the other Primary Directions options for some traditional Ascendant through the bounds type of directions. Click Options, then Primary Directions (or press SHIFT-D). Make sure your selections look as follows. You can do this by deselecting everything (by clicking “reset”) and then selecting the options shown (Terms as the only promissor; Conjunction as the only aspect; Asc as the only significator). Recall that semiarc and zodiacal without latitude are the standard approaches prior to the Renaissance.

Pulling Up the Distributors

Now we are ready to calculate the tables. Go to Tables in the top menu, then Primary Directions. You might as well check 0-100. Make sure only Direct is checked. Converse here are actually not traditional converse primary directions at all, but a sort of reverse primary direction where we imagine that the signs are moving across the sky in reverse (i.e. moving opposite the primary motion), so they are a very weird modern experimental thing which we we’ll ignore, always choosing Direct.

When you hit OK, you should end up with a Table of primary directions of the Ascendant through bounds.

Example: Whitney Houston’s Death

For the example below, I pulled up the jarbakhtars for Whitney Houston from Age 25-50.

One thing that we notice is that for the period from April 18, 2009 until March 3, 2013, the Ascendant directs through the Saturn bound of Taurus (22 to 27 Taurus). This tells us that Saturn is jarbakhtar for the period and sets the tone as a time lord. Saturn characterizes very significant events as it is located in her 12th House, opposite her natal Sun. Houston died during the period on Feb. 11, 2012. For some more on the importance of Saturn in the timing of her death, please see the article on her death.

Whitney Houston’s Natal Chart

Pulling Up Distributors and Aspects

As mentioned above, the distributor (bound lord) and the aspectual directions to the Ascendant were typically looked at together. These primary directions are the most important ones due to the symbolic nature of the Ascendant, so I highly recommend that you save a table which includes just these directions for your own chart and all the charts you analyze.

Let’s pull up the table. Go back into primary directions options (press SHIFT-D). Now you will need to check some additional promissors and aspects, but everything else will remain the same. For promissors, check all of the 7 classical planets (Saturn, Jupiter, Mars, Sun, Venus, Mercury Moon). Also, check that the secondary motion of the Moon is accounted for (i.e. check Sec. Motion). For aspects, check Conjunction, Sextile, Square, Trine, and Opposition.

Example: Trump’s Political Rise

Let’s pull up the table of directions for the Ascendant for ages 50-75 for Donald Trump (birth data AA rated).

We find that the Ascendant is in Libra, going through the bounds of Jupiter, Venus, and Mars during the final 20 years of the period (ages 55-75). Libra is ruled by Venus (ruler of the MC) and occupied by Jupiter (ruler of the 5th house of children) in the natal chart. Interestingly, Jupiter is located in the bound of Jupiter, and Venus strongly aspects her own Venus bound in the sign, so both planets make eventful aspects during their distributorships.

Trump’s Natal Chart with Twelfth-Parts (outer wheel) – CTRL-Click to enlarge

Jupiter Distribution

The Jupiter distribution from 2002-2010 saw a number of important Jupiterian events in his life, especially as it relates to Jupiter’s position in the 3rd house and rulership of the 5th house. Also, there is the presence of twelfth-part of Mercury in the Jupiter bound.

Trump became a television star with the start of the Apprentice in 2004. He married his third wife in 2005. However, the most important period is when the aspect of Jupiter aspects his bound, which is in 2006 and sees the birth of his fifth child.

Venus Distribution

By 2011, Trump is in his Venus distribution. Venus rules the 10th house of rank and authority and she has her twelfth-part in the 10th house. There is a strong orientation toward political leadership during the period.

This is a particularly important bound. It is aspected by 5 planets, including its ruler (Venus), both lights (Sun and Moon), and both malefic (Saturn and Mars). The fact that the lights aspect the bound highlights themes of leadership and authority shown by the fact that the ruler of the MC (Venus) also rules and aspects the bound. Saturn and Mars highlight that this is also going to be one of the most difficult periods.

Trump has had a political aspirations as various points in his life, but his real political career within the Republic party kicks off in 2011 during this period. It kicks of with a 2011 CPAC speaking engagement. After that engagement, his political contributions, which had been mixed but mainly to Democrats, decidedly shifted to Republican candidates.

In 2013, with aspects from the Sun and Moon within a degree, the political direction intensifies. We see our first intimations of candidate Trump. While Trump does not announce his candidacy until 2015, Trump spends a million dollars in 2013 to research a possible presidential run and is a popular featured speaker at CPAC. His popularity with the conservative base takes off.

However, the most important period is when Venus aspects her bound. The aspect is exact in January of 2017 and sees Trump sworn in as the President of the USA.

Conclusion

If you’ve found primary directions to be confusing or overly intimidating in the past, I hope I’ve helped to make them clear. In the next article, we’ll delve a little deeper into the use of primary directions.

References

Dorotheus of Sidon, & al-Tabari, U. (2017). Carmen Astrologicum: The ’Umar al-Tabari Translation. (B. N. Dykes, Trans.). Minneapolis, Minn.,: The Cazimi Press.

Gansten, M. (2009). Primary Directions: Astrology’s Old Master Technique. Bournemouth, England: The Wessex Astrologer Ltd.

Valens, V. (2010). Anthologies. (M. Riley, Trans.) (Online PDF.). World Wide Web: Mark Riley. Retrieved from http://www.csus.edu/indiv/r/rileymt/Vettius%20Valens%20entire.pdf

Image Attributions

Featured image of Japanese top by Juni from Kyoto, Japan (Flickr) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Astrology of Profession or Calling | 2. Trent Reznor

Posted on November 21, 2011 by Anthony

The Astrology of Profession

In the first post of this series, I explained an ancient technique for finding the significator of the profession in the birth chart. I will apply the technique in this series of articles, so please first get acquainted with it by reading the initial article. Now, let’s explore the astrology of profession in the chart of Trent Reznor, and how it relates to the music of Nine Inch Nails.

Trent Reznor

Trent Reznor is a musician, primarily involved with vocals and electronic composition. Lately, he has been involved with major film soundtracks, including that for “The Social Network” and the “The Girl With the Dragon Tattoo”.

A brief biography for Trent Reznor can be found on Wikipedia. His chart is given a Rodden Rating of A on Astro-Databank (note: Astrodatabank’s biography of him has some factual inaccuracies). His chart is pictured below (CTRL-Click to open an expanded version in a new tab).

Reznor’s Natal Chart

Thinking in Terms of Planets

As an artist, we can expect Venus to play a major role in matters of profession. Vocals, as well as composition, are areas of music particularly pertinent to Mercury due to Mercury’s associations to verbalizing and intellectualism, respectively. Mercury also pertains to technology which plays a strong role in his music. His particular style is characteristically dark, with strong themes of pain, oppression, death, and control – things typical of the domain of Saturn. The style is also aggressive and industrial, things associated with Mars.

Finding the Professional Indicators

Before analyzing the profesional indicators, let’s briefly review the technique. The technique involves finding planets with more pertinence or “testimony” regarding “actions”, which involves the Mars, Venus, Mercury, the 10th place, and the Lights. We also look at general indications of planetary strength. The factors and basics are from Hellenistic and Persian astrology.

Relevance to Actions

Places:

No planets in the 10th or its “stakes”. In terms of the 2nd and 6th, Venus and Jupiter are most pertinent, as they’re in the 6th. Mercury and the Sun are relevant by this factor because they are in the 5th. Therefore, of the three planets of action, we look to Venus and Mercury.
Rulership:

The ruler of the 10th place is Venus, which is also a triplicity ruler of the Ascendant. The only planet with a stronger relationship to both the 1st and 10th is Saturn. Jupiter is the bound ruler of the Ascendant (and Mars is the bound ruler of the MC). Mercury does not have rulership at the Ascendant but is the first triplicity lord of the 10th. Therefore, between Venus and Mercury, Venus has more important forms of rulership at the 10th place and the Ascendant.
Phasis and the Lights:

No planets are in phasis. Venus is nearly so, as she is moving out from the beams. Mars is the bound ruler of the sect light.

Relevance Conclusion

Venus has the most relevance to actions. Mercury is also significant. Note that Venus is in the place of the Lot of Fortune and Mercury rules the place, providing lesser indications. Jupiter, the Sun, and Saturn may also relate to the profession, though they are not among the three planets of actions.

Reznor’s Natal Chart

Prominence

Advancing/Retreating:

Mercury is conjunct an angle within 3*, so I consider it advancing in the strongest sense. All of the planets, aside from the Moon, are advancing, but the Sun is the next most advancing behind Mercury.
Relationships to Lights:

There are no planets in phasis. The Moon is applying to Mercury and had separated from Saturn. Mercury is assembled with the Sun. Saturn and Mars are the only planets regarded by both Lights. Therefore, Mercury has the strongest relationship with the lights.
Stationing:

There are no stations.

Prominence Conclusion

Mercury is by far the most prominent planet. The Sun and Saturn also have prominence. Therefore, we expect Mercurial significations to crop up strongly in all areas of life. Mercury signifies rationality, intellect. technology, complexity, vocalization, language, and all forms of exchange.

Synthesizing Venus and Mercury

Venus is the planet with the most testimony regarding this matter but Mercury is the strongest planet of the chart and has some testimony with regards to actions. Therefore, we take both Mercury and Venus. Venus is viewed more in terms of the types of actions the native would like to be involved in as a calling due to her greater overall relevance. However, Mercury is the type of skill development that tends to dominate and get the most attention due to his generally powerful and pervasive influence in the life. We expect a desire for artistic work with a strong intellectual, technological, and/or verbal component (in this case, all three).

That Venus is in a house of Mercury (Gemini) and Mercury in a house of Venus (Taurus) further stresses the mutuality of both, rather than them being totally separate skill sets. In fact, Mercury is in the term of Venus also, and is in the 5th house, the Joy of Venus. The 5th house pertains to children as well as other forms of creative output (performance, works). It is as if these planets keep evoking each other and looking for new ways to serve each other.

Venus in Depth

Further delineation of Venus finds that she is in the domicile of Mercury. She is naturally fortunate as she’s a benefic and she’s in sect. Her fortune is enhanced by her assembly with Jupiter, location in Jupiter’s term, and the regard of the sect light, the Moon. However, she is also in the 6th, dominated by Saturn and square to Mars, so she is strongly connected with malefic themes.

The themes which Venus connects with are the most prominent themes of Nine Inch Nail’s music. The strong associations of Venus with Mercury pertain to lyrics, vocals, programming, and a rational orientation. Venus is in an air and human sign, Gemini, so music (air art) and technology are fitting. The duality of the sign indicates an orientation toward playing two roles (singer, programmer/instrumentalist). The themes of the music relate strongly to her place and aspects, from her location in the 6th place, a bad place associated with slaves, accidents, and disease, to her associations with dark Saturn and violent Mars.

Saturn and the Self

Venus is colored by Saturn, lord of death, darkness, loss, and oppression, and Saturn has a strong association with the character and identity of Reznor. Saturn rules Capricorn, the 1st place of the self, so the planet of doubt, dread, death, and darkness makes its mark on Trent’s appearance and self-identification. An out of sect Saturn is particularly malefic. Venus is dominated by Saturn (right-side square) so themes of constriction, abuse, and bondage connected with sex and beauty are symbolized.

While an aside, it is interesting that Saturn is in the third place of siblings. When Reznor’s parents divorced he went to live with his grandparents and was separated from his sister who lived with their mother. The Moon (mother) in the 12th house of oppression dominates Saturn and the third house of siblings. Much more could be said about Saturn and the self but the focus of this article is on professional matters.

Mars in the House of God

Saturn, the ruler of the self, is strongly opposed by Mars in the 9th house of God, and both are in the stakes of Venus. The symbolism is of a violent God (Mars in the 9th) oppressing one who is despairing, doubtful, and downtrodden (Saturn as lord of the 1st). However, there is also a strong identification with Mars, as Mars is the exalted ruler of Capricorn and a triplicity ruler. The Saturn-Mars configuration connects strongly with the self and with Venus, so we see its autobiographical role in the art. The struggle with truth, doubt, and the trespasses of religion are frequent themes in the music of Nine Inch Nails.

Mercury in Depth

Mercury is in the domicile, term, triplicity, and Joy of Venus. Therefore, Mercury (communication, intellect, reason) is strongly directed to the arts (Venus). Matters associated with a Mercury have a strong and pervasive effect on the life. Mercury is determined most directly to creative works (5th place, Joy of Venus). Saturn overcomes Mercury by sextile and is assembled with the Sun, so there is both a sense of strong duty and discipline associated with Mercury and of publicity and achievement. The 9th place of God is ruled by Mercury, so there is a rational and utilitarian outlook on higher truth.

Birth of Nine Inch Nails

Pretty Hate Machine was released in October 1989 and was Reznor’s first album as Nine Inch Nails. Reznor was 24 years old. Therefore, in terms of annual profections, the album was released during a 1st house year, with Capricorn, and its ruler Saturn active. It was a pivotal year in terms of defining his identity as Nine Inch Nails.

As the cycle of Jupiter is 12 years and that of Venus is 8 years, both Jupiter and Venus are activated at 24 years (see planetary years). Additionally, both were undergoing their returns at his solar return for the year. In fact, the solar return for 1989 had Venus, Jupiter, and Mercury all together in Gemini. This highlighted the year as one in which their combined significations would come together. Additionally, Saturn was transiting through Capricorn, the first house, further highlighting the year as key to the Saturnine aspect of the identity. There was even a Mars-Saturn opposition at the time, mirroring that theme in his chart.

1989 Solar Return Transits (outer) to Birth Chart (inner)

1987-1992: Nine Inch Nails is Born

The primary directions of the Ascendant are very interesting for the period. We see his musical path become more defined in later 1987 and early 1988 when Venus aspects the directed Ascendant. The first Nine Inch Nails album is recorded in 1988, and re-recorded in 1989, and released in 1989. Broken is also recorded in early 1992. For the recording of both of these pivotal albums, the directed Ascendant was in the bound of Venus in Aquarius. In other words, the distributor, the planet that is most strongly activated in terms of life events, is Venus, his primary lord of actions.

Reznor Primary Directions of the Ascendant 1987-1997

Late 1992-1997: Peak Success

Interestingly, the peak success in his career came from late 1992 to 1997, with release of Broken (1992) and the Downward Spiral (1994). This was a period in which Jupiter was the distributor. Jupiter is conjunct Venus in his natal chart signifying fortunate circumstances related to Venus.

Conclusion

I hope you enjoyed this brief look at the professional indicators in the chart of Trent Reznor. In future articles in this series, we will continue to explore matters of profession in the astrological chart.

Note: This article was significantly expanded and revised in April 2018.

Image Attribution

Featured image of Trent Reznor (cropped) by Rob Sheridan (Trent Reznor, February, 2008 (Press Photo)) [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

Great Free Traditional Astrology Software Program | Morinus – New Version Released

Posted on October 18, 2011 by Anthony

Free Software?

Would you believe that you can do all of your traditional astrology charting and calculations with a free software program?

When I discovered Morinus a few years ago it was quite a revelation. This program does it all, and there’s also a Traditional version that’s tailored to the traditional astrologer.

The program’s most recent update as of this writing was on Oct. 2, 2011, and is version 3.5.

If you are absolutely new to astrology and just need to be able to pull up and print charts in a basic way, then I recommend using the free online chart calculation at Astro.com (Astrodienst) instead. I’ll cover basic use of the Astrodienst charting in another post.

Install Traditional Morinus on Windows

Download your copy by following this link. The download link (MorinusWin.zip) is at the bottom of that page. Right click it, choose Save As, and save it somewhere you can find it.
After downloading, then open the zip folder and click “Extract all files”, choose a place you’ll remember and click “extract”. That is where the program now resides on your computer. It is installed.
Open that folder, find the file morinus.exe and right-click it, choosing “Create shortcut“. Then cut and paste or drag and drop the shortcut onto your desktop.

Install the Swiss Ephemeris Files

In order to make sure that charts for earlier time periods are accurate, please install the swiss ephemeris files into Morinus by following the instructions below:

Download each of the 4 Ephem.zip files available at the bottom of the page linked to here (Ephem1.zip, Ephem2.zip etc.).
Open the Ephem1.zip file which you just downloaded. Click the menu option (should be near the top of the window) which says “extract all”.
Click browse and find the folder for your copy of Morinus. For Traditional Morinus the folder should be called “MorinusWin”. Open the folder “SWEP”, and then the folder “Ephem”.
Click “Select Folder”, then click “Extract”.
Repeat this step for the other 3 ephemeris zip files.

Draw Up a Chart in Traditional Morinus

With the program open, click Horoscope then New, or simply hold CTRL and press N, notated CTRL+N.
You will need the following information: Name, Date your charting (for instance birth date), Time (do this in 24 hour time, i.e. 1pm is 13 hours 0 minutes), Place of Birth, and two very tricky things, coordinates and time zone of your location, if you weren’t born in one of the major cities on their small list. I recommend putting those last two in while adding your location to the list, by clicking on the “Place” button.
With the “Places” dialog box up, you first enter the longitude and latitude of the location. You can go to this website, zoom out of the special Google map, zoom in on your location, and then click the relative location, and it will give you the longitude and latitude which you can enter here. To enter the timezone, use this timezone map to find how many hours west (-) or east (+) of Greenwich time (GMT) your place is designated, for selecting the + or – and then putting the number where it says Hour under that. Also, put the name of the location, and the altitude if known (not significant for most work), then click Add and your location is added to the Places database. Once the location is there, then in the future just click Place and select it.
Finally, before you do a chart, make sure you know if the location had daylight saving in effect at that time of year. You may need to do some investigation to find this out, and this link is a good place to start. If it was in effect then make sure you check the “Daylight saving” box.
Once your chart is up, be sure to type CTRL+S to save the chart for later access.

Have fun!

I’ll explore some of the uses of Morinus in future articles in the Software category. Click here for an article on doing primary directions with Morinus.

When dealing with the more ancient varieties of traditional astrology, there is not as much need for software beyond chart calculation. An exception is primary directions where Morinus can be of considerable help.

Featured image is a reconstruction of the Antikythera mechanism modified from an image by Mogi [GFDL, CC-BY-SA-3.0 or CC BY 2.5 ], from Wikimedia Commons